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La Plata
«Boletín de Arte» - convocatoria permanente
A través de su convocatoria permanente, el Boletín de Arte (BOA) invita a enviar artículos para el Nro 21, a publicarse en Abril de 2021. BOA es una publicación electrónica, anual y arbitrada, con alcance nacional e internacional, editada por el Instituto de Historia del Arte Argentino y Americano (IHAAA) de la Facultad de Artes (FDA) de la UNLP. BOA publica artículos originales e inéditos en los que se expongan avances y resultados de investigaciones sobre la historia del arte, los estudios visuales y las artes comparadas. La revista está dirigida a profesionales, investigadores, docentes, becarios y estudiantes de posgrado y se edita en español, inglés, francés y portugués.
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Madrid
Image, Cinema & Politics: the Avant-Garde Dilemma in the Interwar Period (1918-1936)
In this publication we would like to explore the relation between the post-1918 crisis of the liberal system and the use of art and image as political media including its nationalist, gender and class discourses since they reflect the political and economic transformations of the post-war years. Art and cinema allow us to observe processes such as accelerated urbanisation, electrification and the automobile revolution, the incorporation of women into the waged- labour market or class struggles, all of which fed the insecurity and anxiety of industrialised societies which sought shelter in growing protectionism and corporatism.
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Santiago de Compostela
Eschatology is one of the central components of medieval Christian culture. The end of the world, the Last Judgment, salvation, Messianism, the Antichrist, the Apocalypticism and millenarianism are inescapable elements in what we may generally describe as "Medieval eschatology". It is the intention of the International Conference "The Medieval Eschatology" to provide a venue for reflecting on these as well as other eschatological issues that may be proposed. This can be done analytically or descriptively from both a practical and theoretical approach.
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Madrid
(In)materiality in medieval art
Complutenses of medieval art, 14th study day
Les XIVe journées Complutenses d'art médiéval proposent d'aborder la question de la matérialité comme facteur essentiel de la production artistique, ainsi que la poétique de l'immatérialité et la dimension intangible de l'expérience esthétique au cours du Moyen Âge. Les propositions de communication autour des thèmes suivants sont bienvenues : conditions matérielles de la création artistique ; pratiques et moyens sous-estimés ; utilisations poétiques et sémantiques du matériel et de l'immatériel ; histoire culturelle des matériaux ; sensorialité et immatérialité ; « transmatérialité » et « transmédialité ».
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