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• 10 déc 2020

  Béja

  Call for papers - History

  Delinquency, crimes and repression in History

  The question of delinquency, in the most general sense of the term, is particularly complex because criminologists, sociologists, psychologists, psychoanalysts, doctors, lawyers, and historians who have studied this subject extensively have often expressed very different and even contradictory opinions. Difficulties arise as soon as the phenomenon is to be defined. In French law, the word “delinquency” designates all types of offenses. These fall into three categories: transgressions; which constitute very light offenses, crimes which are at an intermediate level, and crimes among including murders, non-premeditated voluntary homicides, and the assassinations, premeditated voluntary homicides. In recent years, in many countries, rape has entered this category of crimes. The Arabic language differentiates between delinquency (“inhiraf”) which designates minor crimes and the crime (“jarima”) which applies to the most serious crimes and offenses.

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• 01 mar 2020

  Luxembourg City

  Call for papers - Language

  Cognitive literary studies. Theories, methodologies and challenges

  Considering the eclecticism that defines cognitive literary studies as beneficial, we invite literary critics as well as researchers from all branches of cognitive science interested in this field to reflect together on the status, the theories, the methodologies and the challenges that cognitive literary studies are currently facing.

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• 15 avr 2020

  Paris

  Call for papers - Language

  In praise of women in poetry: thinking rhetorical exaltation

  L’éloge se définit comme un discours épidictique né d’une vigoureuse admiration, impliquant une instance énonciative, productrice d’un discours évaluatif saturé d’amplification et de valorisation. L’éloquence de l’acte célébratif, éminemment rhétorique, établit ainsi la singularisation et l’élévation d’un objet, produisant un jugement mélioratif de l’objet visé. Omniprésent dans la poésie amoureuse et érotique (les odes et fragments saphiques, le cantique des cantiques biblique, la tradition du ghazal dans la poésie courtoise arabe et perse, les Amours et Odes ronsardiennes, L’union libre d’André Breton, l’hommage à la Femme noire de Léopold Sédar Senghor, The lesbian body de Monique Wittig se lisent comme autant de variantes encomiastiques), l’éloge a traditionnellement servi à chanter le féminin—geste qu’il s’agira d’interroger, tant sur le plan philosophique, énonciatif, rhétorique, genré qu'épistemologique.

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