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LGBTQIA+ sexualities: subjectivities, movements, languages
LGBTQIA+ studies for contemporary history, having produced a vast amount of researches, are still questioning history and historiography: how can LGBTQIA+ history be written? Does it merely overlap with the history of LGBTQIA+ subjectivities or does it exceed the boundaries of the LGBTQIA+ community? Does it challenge the historical imagination in terms of sources, archives, political and disciplinary boundaries, gender categories? Diacronie. Studi di Storia Contemporanea is looking for contributions aimed at investigating these issues.
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Paris
Scholarship, prize and job offer - Representation
"All Alone" in East-Central Europe: Reinventing the Orphan from the Fascist to the Socialist Era
International PhD Contract 2020-2023
Full-time, 36-month-long international PhD contract at Sorbonne University (PhD program IV) within the research centre Eur'ORBEM and in partnership with the French Research Centre in Social Sciences (CEFRES) in Prague, from 1 October 2020, under the supervision of Clara Royer. The PhD thesis may be written in French or in English. PhD propositions should focus on the discourses and practices surrounding the orphan condition in literature and/or visual arts (cinema, photography, graphic arts and so forth) in the wake of the violence and demographic upheavals that characterized 20th century East-Central Europe. Because of its interdisciplinary scope, applicants with a background in social history, literary studies and/or visual arts specialized in one or several countries of East-Central Europe may apply.
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Valladolid
Birds of passage. A review of the migrations and exiles of the twentieth century in terms of gender
IIºCongreso Internacional Territorios de la Memoria: Lucha y resistencia(s) feministas. Caminando hacia la igualdad
A partir de una reflexión sobre el papel y las especificidades de las mujeres en contextos migratorios, y dentro de las aportaciones de los estudios de género, la historia transnacional y comparada y la interacción entre historia, ciencias políticas y sociología aplicada a los movimientos migratorios, esta mesa-taller se propone analizar los exilios y migraciones del siglo XX español y su relación con tipos de agencias y resistencias femeninas.
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Simone de Beauvoir Studies - Varia section
La revue Simone de Beauvoir Studies est à la recherche d’articles et de textes autobiographiques, créatifs, essayistiques ou journalistiques, tous domaines de recherche et sphères culturelles confondus, qui explorent des idées inédites ou insuffisamment traitées de manière à enrichir les échanges autour de l’héritage de Beauvoir. Les textes soumis ne doivent pas nécessairement étudier les écrits de Beauvoir ; le comité éditorial encourage les propositions qui abordent des aspects centraux de son travail, tels que les études de genre, la politique mondiale, l’existentialisme et la théorie littéraire.
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Poitiers
Communists and the challenge of gender
À l'occasion du centième anniversaire du congrès de Tours et de la création du parti communiste en France, cette journée d’étude suivie d’une table ronde grand public porte sur l’histoire des communistes à l’épreuve du genre, en privilégiant une approche par le bas, attentive aux itinéraires, aux identités et aux expériences militantes, et à ce qu’elles révèlent des représentations de la masculinité et de la féminité, dans les mondes communistes militants.
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Winston-Salem
“Marine Feet and Vesuvian Eyes”: The Volcanic Aesthetics of Maria Orsini Natale
Edited Collection
This volume intends to fill a gap in the critical reception of a remarkable Southern Italian woman writer. A journalist, a poet and a writer, Maria Orsini Natale (1928-2010) lived and worked at the foot of Vesuvius, and began writing at age 69, receiving several literary recognitions. Her novel, initially written as Ottocento Vesuviano, then entitled Francesca and Nunziata, and published for the first time in 1995, was also made into a 2001 film directed by Lina Wertmüller, starring Sophia Loren and Giancarlo Giannini. The book earned her a semifinalist’s place in the Strega Prize, the most prestigious Italian literary award, and features a family from Amalfi, dedicated for generations to the white art of pasta making. More than fiction, it illustrates what in Neapolitan is called a ‘cunto’, part historical account and part allegorical tale, derived from a reservoir of collective as well as personal memories.
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