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Paris
Conference, symposium - Modern
Operas primas del cine español e iberoamericano contemporáneo (1990-2009)
Colloque coordonné par Nancy Berthier (Université de Paris Est, LISAA EA 4120, France) et Álvaro A. Fernández Reyes (Université de Guadalajara, Mexique) et organisé par l’Université de Paris-Est (EMHIS-LISAA EA 4120), en collaboration avec le REDIC (Red de Investigadores de cine), l’Université de Guadalajara (Mexique), le Colegio de España et le soutien du GRIMH. Ce colloque en espagnol réunit des chercheurs français, mexicains et espagnol autour de la notion de "ópera prima" (premier film), qu'il interroge à partir d'un corpus de documentaires et de fictions récentes (années 90 et 2000) et selon des axes théoriques et métodologiques diversifiés. Un cinéaste espagnol, Manuel Martin Cuenca, viendra présenter son "ópera prima", El juego de Cuba, le jeudi de 17h à 19h. Programme complet en document joint -
Nájera
Governance of the european city in the Middle Ages
Nájera. 7th International Meetings of the Middle Ages
Les VIIe rencontres internationales du Moyen Âge à Nájera, organisées par l'Excmo. Ayuntamiento de Nájera et le groupe d'Histoire urbaine de l'université de Cantabrie (Espagne), réuniront des spécialistes des universités d'Espagne, de France, du Royaume Uni, du Portugal, de la Suède, et d'Italie, avec le but d'échanger des idées, des recherches en cours et des méthodes sur le sujet proposé : La gouvernance de la ville européene au Moyen Âge. -
Dnipropetrovs'k
Approaches to post-Soviet transformations
Summer school in Dnipropetrovsk (Ukraine)
Two decades after the collapse of the USSR, evolutionary paths travelled by post-Soviet societies are spectacularly diverse - posing analytical challenges for social scientists. In the first post-Soviet years, these societies were expected to “Westernize” and so social transformations were supposedly transitional. Later, it became obvious that genuine evolution observed in the former USSR needed genuine analytical tools. Dramatic change exhibiting a strange (at times conflict-ridden) coexistence of transformation and continuity neither elicits comparison to “normal” social evolution, nor can it be explained as a chaotic or un-analysable specificity. The aim of the summer school is to discuss different approaches / concepts used to analyse post-Soviet transformations and to question their heuristic effectiveness. The Summer School is designed to be interdisciplinary and international. -
Antwerp
Rethinking European (Homo)Sexual Modernity
On 18 March 2010 the University of Antwerp hosts three keynote lectures by Dagmar Herzog (City University of New York), Dan Healey (Swansea University) and Rudi Bleys (Independent scholar) on the problem of modernity in the history and historiography of (homo)sexuality in Europe. These lectures are followed by a concluding panel discussion that will be introduced and moderated by George Chauncey (Yale University) For more information and registration: www.ua.ac.be/sexualmodernity. Organised by the Department of History of the University of Antwerp in collaboration with the Yale Research Initiative for the History of Sexuality as the prelude to a two-day (closed) workshop conference. Supported by the Flanders Research Foundation. -
Berlin
Ottoman Urban Studies Seminar (2009-2010)
Post-Ottoman Cities
What is the historical experience of cities in the former territories of the Ottoman Empire - in the Balkans, Anatolia, the Middle East, and North Africa - in dealing with the impact of global changes and the transformation from Empire to nation States? How did people of different cultural, social and religious backgrounds live together? How are such examples of conviviality, conflict, migration, and urban regimes of governance and stratification conceptualized? And how have urban traditions been reinterpreted, and what bearing does this have on modern conceptions of civil society, multicultural societies, migration, or cosmopolitanism. These and other questions will be addressed in this year’s Seminar in Ottoman Urban Studies. Séminaire organisé par Ulrike Freitag et Nora Lafi.
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