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  • Warsaw

    Call for papers - History

    Gender Roles in Wartime

    Dynamization Of Gender Roles in Wartime: An East European Perspective on World War II and its Aftermath

    While numerous studies have explored the effects of the occupying regimes on the respective societies, the impact of World War II on Gender relations has generally been treated as a rather marginal issue. In recent years, however, some important studies have been published shining light on various aspects of gender relations in times of war in Twentieth-Century Eastern Europe, and focusing on women as perpetrators, e.g. as “Agents of Germanization” (Harvey 2003), or as victims of sexual violence .The conference intends not only to piece the existing puzzle together, but to explore the interplay of World War II and gender roles in East Europe in a broad context.

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  • Paris

    Lecture series - History

    Military Occupations

    Cycle de conférences de Sophie de Schaepdrijver, directrice d’études invitée à l’EHESS.

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  • Warsaw

    Call for papers - Modern

    Polish Jews in France and Israel: Trajectories, representations, tools of memory

    Call for papers Workshop 21-23 October 2010 in Warsaw

    Ce workshop s’inscrit dans un projet de recherche qui a pour objectif de mieux cerner les contours de deux diasporas juives polonaises importantes en France et en Israël. Deux communautés certes très différentes mais que plusieurs points de comparaison permettent de rapprocher.

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  • Paris

    Miscellaneous information - History

    Projection of the film, Belzec, directed by Guillaume Moscovitz, followed by a debate

    Debate featuring the director, in the company of C. Delage, Father P. Desbois, J-F. Forges and B. Reynaud

    Guillaume Moscovitz filme un lieu où « il n’y a rien à voir » : ni traces matérielles, ni survivants de la mort de masse. Bełźec - le film - pose la question du témoignage. Pour certains anciens du village, le geste transmet ce que la parole ne pourra peut-être jamais prononcer ; le récit de Braha Rauffmann, l’enfant cachée pendant 20 mois, exprime l’effet en elle des disparitions collectives. Ce n’est pas l’œil qui fait le témoin, mais le regard porté sur l’évènement.

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