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    Conference, symposium - History

    Chancellery documents in Arabic through the prism of historicity: writings, lexicons, syntax and intertextuality

    Ce colloque porte donc sur l’évolution des styles de chancellerie dans le monde arabo-musulman médiéval, sur leur diversité régionale et sur l’histoire de cette langue d’autorité, supposée obéir à des règles fixées définitivement par le prophète ou par les premiers secrétaires de l’empire de l’islam. Quelles sont les modalités techniques de l’innovation ? Sur quels plans, sémantique, lexical, syntaxique et / ou graphique, se manifeste-t-elle ? Ce sont donc moins les normes, les codes, les règles qui intéresseront ici, que les styles d’écriture, les variantes orthographiques, les graphies atypiques, la rature, la transgression des normes, la revitalisation sémantique, le néologisme et la variété des modes de citation coranique ou de référence au ḥadīṯ. Il s’agit de renouveler l’étude d’un corpus, considéré non comme un texte figé et sclérosé, technique et rébarbatif, mais comme un ensemble vivant, évolutif et diversifié.

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  • Call for papers - Middle Ages

    Arabic Chancellery Documents through the Prism of Historicity

    Writing, Vocabulary, Syntax, and Intertextuality from ʿAbd al-Ḥamīd al-Kātib (d. 750) to al-Qalqashandī (d. 1418)

    This conference will address the evolution of chancellery styles, their regional diversity, and the history of the rhymed prose (sajʿ), this language of authority that was supposed to obey rules definitively fixed by the Prophet or the first secretaries of the Islamic Empire. What were the technical modalities for innovation? On what semantic, lexical, syntactical, and/or graphic levels did it manifest? Rather than on norms, codes, and rules, studies will focus on writing styles, orthographic variants, atypical handwriting, deletion, the transgression of norms, semantic revitalization, neologisms, and the variety of styles for citing the Quran or referencing ḥadīth. We are seeking to renew study of a corpus considered not as a fixed and ossified text, technical and off-putting, but as a living, evolving, and diverse ensemble.

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