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Nantes
Representations of Power and Power of the Image in British and American Contemporary Photography
Représentations du pouvoir et pouvoir de l’image dans la photographie contemporaine américaine et britannique
From the power of images to images of power, this workshop will explore the representations of power and the power of representation in contemporary American and British photography. What is photography capable of doing? Whether in the form of a public person, the environment of power (emblematic places and explicit or underlying forms) or its symbolism, what is photography capable of revealing about power itself? Political, institutional, economic or social power all depend upon a system of relations or tensions between groups or individuals (accepted, rejected, questioned, expressed visually or internalized) participating in the construction of the identity, myths or memories of the American or British nations. In what manner does photography enhance or contribute to this construction or deconstruction of the notion of identity and nation?
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Paris
Conference, symposium - America
North American Studies in France and Europe
State of the Art and Future Prospects
In 1980, François Furet established the first visiting chair in North American studies at the École des Hautes Études en Sciences Sociales in partnership with the French-American Foundation. Yet, it was not until 1984 and the election of Jean Heffer as permanent full professor that the Center for North American Studies (CENA) came into being. Despite pioneering efforts in some English departments and the creation of the first university chair in North American history at the Sorbonne in 1967, there was significant disparity between the importance of the USA in the contemporary world and the weakness of North American studies in France. Over the last thirty years and under the supervision of Jean Heffer and François Weil, the CENA has become one of the leading institutions for North American scholarship in France and Europe.
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Saint-Denis | Pierrefitte-sur-Seine
Conference, symposium - History
The Cold War and Entertainment Television
An essential dimension of the Cold War took place in the realm of ideas and culture. A great deal of work, for example, has been done on cinema, especially with regard to the United States although other nations, both East and West, have received increasing attention. But with certain noteworthy exceptions (primarily in the areas of science fiction and espionage series) relatively little has been done on this subject in relation to television. Yet, television was a technology and popular cultural form that emerged during the Cold War. This project hopes to rectify that absence by providing a forum for examining the impact of the Cold War on entertainment television. We intend to underline the comparative aspect by studying programs from both blocs – without forgetting, of course, the outsize impact of American television.
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Medellín
Os Estudos acadêmicos brasileiros no âmbito dos Estudos da Tradução, tem-se caracterizado nas últimas décadas por uma intensa produção bibliográfica, tanto teórico-acadêmica quanto de traduções. Além disso, as pesquisas nos Estudos da Tradução no Brasil têm assumido um caráter sempre mais transdisciplinar com contribuições advindas da Antropologia, da Crítica Genética, da História Social e Política, da Sociologia, entre outras disciplinas. Convidamos todos os tradutores e os pesquisadores brasileiros, que atuam nesses âmbitos de reflexão e produção, a enviarem seus trabalhos para este número temático da nossa revista voltado aos Estudos da Tradução no Brasil.
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Boulogne
Borders, limits and exchanges in the poetic and narrative creation of Raúl Zurita
From "Áreas verdes" (1975) to the present day
Ce colloque international, le premier consacré à l’oeuvre de Raúl Zurita, organisé à l’occasion du 40e anniversaire da la publication d’ Áreas verdes et des 65 ans du poète, se propose d’étudier les frontières, les limites et les échanges dans la création poétique et narrative de Raúl Zurita (tout au long de ces 40 ans de production et à travers ses différentes oeuvres), ces termes et concepts étant polysémiques.
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Call for papers - Representation
The American and British Nations in Contemporary Landscape Photography
This second workshop in a series devoted to photography and national identity will question the way in which landscape as represented through the specificities of the photographic medium may participate in the construction of contemporary American and British national identities.
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