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• 04 avr 2014

  Paris

  Fachtagung - Geschichte

  Polices et ordre public en France et en Angleterre (1750-1850)

  Les perspectives de l’historiographie contemporaine

  Traditional historiography has often opposed the French police model to its English counterpart. However, for twenty years, many researchers relativized the differences of these models and focused more on the interactions between cultures of social control. Recent studies have shown the limits of approaches focused on the only national police models as well as the importance of the circulation of police knowledge and technics in the late 18th century and early 19th century. Everywhere in Europe, this period is marked by the will to reform and by reflections on the procedures for the exercise of the police. Through a panel of international researchers, the conference aims to investigate beyond the national perspective by questioning the permanence and changes in police practices on both sides of the Channel. We will ultimately highlight the major trends of contemporary historiography and identify new paths of work.

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• 01 mar 2014

  Vancouver

  Beitragsaufruf - Mittelalter

  La poésie des troubadours : « Lieux de mémoire »

  In keeping with the 2015 Presidential theme for the 130th MLA Annual Convention (Vancouver, BC; 8-11 January, 2015) the MLA Provençal Discussion group seeks proposals for its session devoted to troubadour poetry and 'lieux de mémoire,' or sites of memory.

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• 25 mar 2014

  Boulogne-sur-Mer

  Beitragsaufruf - Neuere und Zeitgeschichte

  Frontières, limites, échanges dans la création poétique et narrative de Raúl Zurita

  Depuis « Áreas verdes » (1975) jusqu’à nos jours

  Ce colloque international, le premier consacré à l’oeuvre de Raúl Zurita, organisé à l’occasion du 40^e anniversaire da la publication d’ Áreas verdes et des 65 ans du poète, se propose d’étudier les frontières, les limites et les échanges dans la création poétique et narrative de Raúl Zurita (tout au long de ces 40 ans de production et à travers ses différentes oeuvres), ces termes et concepts étant polysémiques.

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