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Lovaina
Convocatoria de ponencias - Representaciones
Pseudo-traduction : enjeux métafictionnels
Revue « Interférences littéraires », n° 19, novembre 2016
Throughout literary history authors have presented their texts as translations of an imaginary original rather than as original texts of their own making. Yet, as a phenomenon that has taken on a wide variety of forms, pseudotranslation has persistently occupied a marginal position in both literary scholarship and translation studies, and still today begs more systematic study. As simulacrums, they provide a unique mode of representing and/or criticizing prevailing literary practices, and it is this metafictional dimension of pseudotranslations that we aim to address in this special issue. Since pseudotranslation is an essentially transcultural phenomenon that presupposes a (imaginary) cultural transfer, the editors wish to include case studies from a wide variety of cultural and historical backgrounds.
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Beni Mellal
Convocatoria de ponencias - Lenguaje
Shakespeares: Critical Perspectives Past and Present
On the occasion of the 400th anniversary of Shakespeare’s death, the Research Laboratory on Culture and Communication is devoting its annual international conference to "Shakespeares: Critical Perspectives Past and Present".
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Melbourne
Convocatoria de ponencias - Representaciones
Old Time Accomplices: Mentors and Mentees
Mentoring in the arts, humanities, social sciences and the professional world
Despite living in societies increasingly marked by individualism and selfishness, in the modern world we see an increase in mentoring programs. Mentoring is grounded on a mutual commitment towards professional and intellectual development and forges a bond between mentor and mentee. This pattern exists in the academic, professional and private sectors, where coaches of all kinds multiply. We wish to explore the mentor-mentee relationship in an interdisciplinary context. We invite papers which explore the theme and the practice of mentoring in literature, history, art, performing arts, social sciences, and in the professional world.
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Convocatoria de ponencias - Américas
Todo Fontanarrosa: la obra de un completo humorista
Cuando el argentino Roberto Fontanarrosa falleció en el año 2007, el país declaró duelo nacional y miles de admiradores asistieron a su funeral. Si bien este humorista es muy querido y recordado y su trabajo ha recibido múltiples reconocimientos, a la fecha existen muy pocas publicaciones académicas sobre su obra. La propuesta de esta antología es suplir esta falta al considerar en profundidad la producción de Fontanarrosa en su conjunto.
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Viena
Convocatoria de ponencias - Europa
International Comparative Literature Association XXIst Congress
This section of International Comparative Literature Association (ICLA – July 2016, Vienna, Austria) proposes an investigation into XIXth-century European literary multilingualism, particularly into the period from 1800 to 1880. All areas of European literature will be considered. The term "multilingualism" as used in this section includes all kinds of code-mixing, either in single literary texts or in multiple texts produced by the same author.
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Poitiers
Convocatoria de ponencias - Edad Media
Alcuinus and the Carolingian Monumental Poetry – Medieval Ekphrasis, between East and West, Antiquity and Modernity
The sessions would like to explore the formal connections between the poetic production of medieval writers and the works of art they describe, evoke or invent in these texts. The academic separations of visual studies from the textual ones have been erasing for many years the relationship existing between the two kinds of com-position. From the Vth to the end of the XIIth century, from Paulinus of Nola to Baudri of Bourgueil, a rich corpus of these texts has been composed by some of the most prestigious writers of their time and stages some of the richest works of art from medieval Europe: the wall paintings in St Gall abbey and Mainz cathedral, the Bayeux tapestry, the stained glasses in St Denis basilica…
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Leeds
Convocatoria de ponencias - Historia
Théorie et pratique de l’hippisme médiéval
Sections du congrès international médiéval (Leeds 2016)
Sont recherchées des communications sur tous les aspects de l'hippisme médiéval pour des sections thématiques organisées pendant le congrès international médiéval (IMC) ayant lieu à Leeds en 2016.
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Medellín
Convocatoria de ponencias - Lenguaje
Reescritura: ¿lógica de la repetición?
III Seminario Internacional de Narrativas
El III Seminario Internacional de Narrativas, convocado por la Universidad EAFIT (Medellín, Colombia) y la Università degli Studi di Padova, propone la reescritura como objeto de indagación desde las artes, las humanidades, las ciencias sociales y las ciencias de la comunicación. Interrogar el gesto al que apela ―volver a escribir un texto― implica dar cuenta de una operación que, en su aparente sencillez, pone de manifiesto la experiencia del tiempo y la repetición, el registro de la memoria, la tensión entre la imitación y la diferencia, así como los medios de reproducción y de creación. El gesto de la reescritura es ejemplar y heurístico; por las relaciones, objetos y nociones que moviliza, se ha convertido en modelo de comprensión de diversos fenómenos y prácticas culturales.
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Viena
Convocatoria de ponencias - Pensamiento
International Comparative Literature Association XXIst Congress - session 17327
In The Politics of Friendship Derrida reflects on the question of the indecidable possibility, the “peut-être,” of love, of friendship, and of desire: “‘Je t'aime entends- tu?’; cette déclaration d'aimance hyperbolique ne pourrait donner sa chance à une politique de l'amitié que soumise à l'épreuve du peut-être, de l'indécidable” How then can we express a refusal, a no, without listening, without hearing? How can one express the divergent and differential possibilities opened by this phrase? And yet Derrida already has, in Envois, where he explores, theorizes and dramatizes a love affair, tracing the course of its refusal in the various postcards and letters which remain unsent, forever awaiting their destination. This panel concerns theory speaking in terms of love, seeking to establish the relationship between “ l’âmour” and theory.
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Lisboa
Convocatoria de ponencias - Estudios urbanos
The Paradigmatic City: Origins, Avatars, Frontiers
Ao longo da história da civilização, as cidades oferecem-nos paradigmas. Elas personificam formas ideais de vida social; surgem como capitais de impérios, mas também como centros de uma identidade nacional, cultural e religiosa; são focos de desenvolvimento económico e político. Todas estas formas se revestem de particular interesse para este congresso. Muitas cidades podem ser consideradas paradigmáticas: Atenas ou Roma, na Antiguidade Clássica; Veneza e Florença, como reflexo das dinâmicas transformações do Renascimento; Londres, Paris e Berlim, como capitais da Modernidade; Nova Iorque, Rio de Janeiro, Tóquio ou Xangai, como epítomes das novas metrópoles em franco crescimento.
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Nanterre
Convocatoria de ponencias - Época moderna
International D.H Lawrence Conference
Critics have often referred, positively or negatively, to the various forms of excess to be found in Lawrence's writings. While some mention the "exuberant merits" of his style, praising the emotional intensity of his works, others blame him for being too prolix, too pompous, too repetitive, too frank about sex, and speak with disapproval of his "hectic descriptions" and the "Gargantuan passions" of his characters. At the beginning of his Study of Thomas Hardy, Lawrence himself elaborated a theory of excess, which is both the very illustration of excess and one of his most visionary texts. It is, he claims, the lack of vision, the foolishness or madness of his contemporaries, that led Lawrence to moralize and philosophize so passionately and so obstinately.
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Gante
Convocatoria de ponencias - Europa
Tracing Types: Comparative Analyses of Literary and Visual Sketches (1830-1860)
This call for papers deals with nineteenth-century sketches (sometimes referred to as "panoramic literature"). It seeks to focus on the comparative analysis of these sketches, both texts and images, and trace how representations of specific types vary across sketches from different places, media and editorial contexts.
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Florencia
Towards a graphic culture: studying drawing
Drawing seems nowadays to know unprecedented expansion and to invest all domains of the expression and the communication: book industries, cartoons and animation movies, video games, corporate communication… And we indeed face kind of a paradox: widely present, drawing seems almost impossible to define and some philosophers like Jean-Luc Nancy even invite us to accept the "unthinkable" nature of the drawing. The international conference we organize on June 15th and 16th of this year in the villa Finaly of Firenze (Italy) does not intend to adopt similar position. Without wishing necessarily to produce a definition of the drawing, we intend to progress towards its understanding.
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Pessac
L’enclave dans les mondes anglophones
Surrounded by a larger territory belonging to someone else, an enclave is a portion of territory where specific moral or social laws create a situation of isolation. The enclave is thus the privileged venue for particular phenomena that may only exist in this confined territory. It may be considered as an absolute alternative to the outside world, a utopia or a dystopia. By providing the possibility of a new start, the enclave raises the issue of escape or resistance, and brings up the problematic relationship that links it to the surrounding territory. The enclave thus creates a gap between interior and exterior, which allows it to contrast certain aspects, similar to a magnifying mirror. Beyond the territorial rupture, this symposium will explore and develop the network of complex relationships, which, from a geological, ontological and esthetic point of view, the enclave calls into question.
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Tubinga
Beca, premio y empleo - Historia
Since rulers of the Imperial Roman Period and the Early Middle Ages occupied the highest (secular) position, individuals who exerted influence on them enjoyed a great extent of power. As a consequence, there was bitter rivalry between the various agents and much thinking about legitimate and illegitimate influence. These exercises and concepts of personal influence are the topic of a new Emmy-Noether junior research group, which is offering two PhD positions.
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Clermont-Ferrand
Convocatoria de ponencias - Época moderna
New Perspectives on Censorship in Early Modern England
Literature, Politics and Religion
Placed under the aegis of the French National Centre for Scientific Research (CNRS), this international conference will reassess the notion and the hermeneutics of censorship in early modern England. How was censorship organized? Did it prevent or promote creativity? Why and when did writers decide to enter "the safe territory of the oblique" (Annabel Patterson)? Participants are invited to provide a variety of interpretative answers and to develop a new understanding of how censorship refashioned the social, political and artistic life of Shakespeare's contemporaries.
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Oxford
Comment écrire la Grande Guerre ?
Poétiques francophones et anglophones
L'objet de ce colloque international sera d'interroger, à travers des perspectives littéraires, historiques, stylistiques et linguistiques, les littératures de témoignage anglophones et francophones de la Grande Guerre, en éclairant les moyens que mobilisèrent les écrivains pour répondre aux bouleversements occasionnés par le conflit. Une attention particulière sera accordée aux évolutions de la langue, des genres ou encore du personnel romanesque, mais aussi à leurs permanences respectives, tout aussi instructives dans l'optique d'une saisie des enjeux éthiques, esthétiques et politiques de la période.
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París
Formalism/Idealism: Comparative Literary History (1860-1960)
The colloquium at the Paris Center will make a case that the practice and theory of comparative literature in the 21st century must be accompanied by ongoing reflection on the history of the discipline. In particular, the participants will ponder the following questions: how did Formalism (attention to artistic form, either atomized or holistic) coexist with Idealism (defined provisionally as resistance to positivism, empiricism, and even to “rationalism”) in different varieties of comparative literary history, as instantiated by these and other scholars? What kind of insight might a reconfiguration of the field that examines (rather than merely instantiating) the tension of Formalism/Idealism provide into the history of literary scholarship which customarily is divided into separate schools (literary evolutionism, Russian Formalism, Czech and French structuralism, New Criticism)? In what ways may the dilemmas of the age of the “splendeurs et misères” of comparative literature reflect on the discipline’s recent agendas?
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París
Jornada de estudio - Representaciones
Literature and Society in Central Asia
En se concentrant sur les défis sociétaux tels qu’ils se reflètent dans la production littéraire centre-asiatique, cette demi-journée propose d’apporter des réponses, mais aussi de nouvelles formes de questionnements sur la façon dont les différentes sociétés et les populations de cette aire ont dépeint leur propre cheminement historique au cours des siècles. Tout en cherchant à étudier la façon dont on pouvait user de la littérature comme d’une source historiographique, et tout en essayant d’évaluer le niveau d’intrication de la littérature avec la société qui la produit, les intervenants accorderont une attention spécifique à la question des relations entre culture et pouvoir. La période abordée s’étend du XVe siècle jusqu’ aux années 1990, à partir de la fin de l’époque médiévale, lorsque « la renaissance timouride » livrait les plus belles heures de l’incessante symbiose turco-persane, pour s’achever avec la perestroïka envisagée du point de vue de la littérature kirghize.
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Beca, premio y empleo - Historia
American Art in Translation Book Prize
Terra Foundation for American Art / Yale University Press
The Terra Foundation for American Art, in partnership with Yale University Press, is offering a new prize for an unpublished manuscript or previously published manuscript in a language other than English written by a non-U.S. author. The manuscript should make a significant contribution to scholarship on the historical visual arts of what is now the geographic United States.
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