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Stipendien, Preise und Stellenangebote - Amerika
Charles C. Eldredge prize 2017
The Smithsonian American Art Museum is now accepting nominations for the 2017 Charles C. Eldredge Prize. Single-author books devoted to any aspect of the visual arts of the United States and published in the three previous calendar years are eligible. To nominate a book, send a letter (not to exceed one page in length) explaining the work’s significance to the field of American art history and discussing the quality of the author’s scholarship and methodology. Nominations by authors or publishers for their own books will not be considered.
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London
Cultures of Conservatism in the United States and Western Europe between the 1970's and 1990's
The conference will examine the cultural history of conservative ideas and movements in Western Europe and the United States between the 1970s and the 1990s. Focusing on cultures of conservatism, the conference will rethink the general contours of conservatism. It will pay close attention to the intersection of culture, politics and economics, in order to broaden our understanding of the processes of change that have unfolded since the 1970s.
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Sankt Petersburg
The Fabergé Museum in Saint Petersburg owns the world's largest collection of works by Carl Fabergé, including nine of the famous imperial easter eggs, and aims to become the main international platform for the study of the art and life of the famous jeweler. In this year marking the 170th anniversary of Carl Fabergé, the museum dedicated its annual academic conference to Carl Fabergé, his firm's activities in Russia and abroad, its place within Russian culture as well as to Fabergé's influence on modern and contemporary jeweler’s art.
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New York City
Stipendien, Preise und Stellenangebote - Amerika
Terra Foundation for American art international publication grant
The College Art Association (CAA) and Terra Foundation for American Art invite applications for the 2017 Terra Foundation for American art international publication grant. The grant provides financial support for the publication of book-length scholarly manuscripts on the history of American art from circa 1500 to 1980 in the current-day geographic United States.
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Tours
Invisible pesticides, invisible workers, invisible hazards
International Conference on pesticides and occupational health issues in agriculture
The aim of the international conference Invisible pesticides, invisible workers, invisible hazards is to gather researchers in humanities and social sciences from various background in order to foster collective discussions on the links between social context, methodological approaches and theoretical frameworks when dealing with occupational health issues related to pesticides exposure in agriculture.
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A transatlantic dialogue
On the occasion of the launch of Picturing, the first volume of the Terra Foundation Essays, a new publication series exploring themes of critical importance to the history of arts and visual culture of the United States, the Deutsches Forum für Kunstgeschichte, Paris, and the Terra Foundation for American Art are jointly organizing a conference to further the transatlantic dialogue about what pictures are and what they do. This conference invites speakers to reflect on the differences and convergences between the intellectual traditions of visual studies and Bildwissenschaft. Are there ways to think about pictures anew by bringing these models more closely together? Does the move away from visuality towards the material offer possibilities for overcoming early differences between these two approaches?
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Paris
Capitalism, state and economic development in comparative perspective
Cette série de conférences est présentée par Linda Marguerite Weiss, professor emeritus à l’université de Sydney, directrice d’étude invitée à l’École des hautes études en sciences sociales.
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Tours
Représentations et figures de la maternité dans le monde anglophone
L’ambition de ce colloque est d’interroger les discours liés à la maternité, les traductions des choix de société dans les représentations culturelles des mères comme icônes ou boucs-émissaires, et la réception ou la critique de ces représentations dans le contexte d’une quête de conformité ou de libération des conventions sociales.
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Reims
The circulation of popular culture between Ireland and the USA (18th-21st centuries)
Dans le système de culture mondialisée qui caractérise les sociétés contemporaines, l'organisation d'un colloque international invite à concentrer l’attention sur un cas d’étude, la circulation des diverses formes de culture populaire entre Irlande et États-Unis. L’ancienneté, la constance et de l’intensité des échanges culturels entre les deux nations sont en effet largement antérieurs à la mondialisation culturelle ultra-contemporaine. Cette singularité inscrite dans la longue durée permet de mettre en perspective les phénomènes contemporains tout en les interrogeant.
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Stipendien, Preise und Stellenangebote - Amerika
Terra Foundation Research Travel Grants to the United States (2016)
Terra Foundation Research Travel Grants provide support for research on topics concerning American art and visual culture prior to 1980. These grants enable scholars outside the United States to consult resources that are only available within the United States.
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Stipendien, Preise und Stellenangebote - Amerika
Terra Summer Residency for art historians and artists
Founded in 2001, the Terra Summer Residency brings together doctoral scholars of American Art and emerging artists worldwide for a nine-week residential program in the historic village of Giverny, France. The program encourages independent work while providing seminars and mentoring by senior scholars and artists to foster reflection and debate.
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Nantes
This 2016 workshop on contemporary US-UK photography will take on the notion of censorship. With photography as its starting point, this edition aims to extend the debate to include the contemporary image on the whole. It is interested in the intermedial forays of other artistic forms in the practice of photographers (art installations, video and/or audio productions, performance, urban art practices, text/image interactions). How does the very artistic form/medium become in itself a means of expression and commitment when confronted with censorship, a means to create unity against censorship, a tool for identity expression of a group or of a minority, to circumvent constraints, or thrive upon these limits and generate creative impetus from them?
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