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• 15 sep 2016

  Le Mans

  Call for papers - History

  Missions, museums and scientific collections: when missionaries spread the word of science

  With the organization of this international workshop, we hope to gather historians, anthropologists, sociologists, philosophers and other researchers to come back on the ambiguous ties that might have brought missionaries and scientists together in the 19^th and 20^th centuries.

     

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• 04 mai 2016

  05 mai 2016

  06 mai 2016

  Cagliari

  Conference, symposium - History

  Hagnos, Miasma and Katharsis

  A journey between the categories of the pure and impure in the imagination of the ancient world

  Le colloque international « Hagnos, Miasma, Katharsis. Voyage entre les catégories du pur et de l’impur dans l’imaginaire du monde ancien » (Cagliari, 4-6 mai 2016) propose une mise au point sur les études consacrées aux phénomènes du pur et de l’impur et à leur exégèse antique. La réflexion autour de ce thème privilégiera une approche interdisciplinaire, tenant compte des perspectives iconographique, littéraire, anthropologique et historico-religieuse, afin d’encourager une confrontation et un dialogue élargis entre les spécialistes de cette question cruciale pour comprendre les mentalités antiques.

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• 30 avr 2016

  Madrid

  Call for papers - Thought

  IV International Conference of Myth Criticism

  Myth and Emotions

  Along with rational logic there is an emotional logic, responsible for many actions that we carry out. Myth Criticism tends to tackle mythical stories from a structural, social and historical perspective. However, it often ignores the emotional component. It seems as if the affective dimension, particularly active in our contemporary society, is not considered relevant in the studies of mythology. The Conference will examine the function undertaken by emotions in the structure of mythical stories and in the processes of mythification of characters and historical events. The object of the study will focus on ancient, medieval and modern myths in contemporary literature and art (since 1900).

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