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Call for papers - Political studies
Digital Cultural Policies in Comparison
International Journal of Arts Management, Lax and Society (fall of 2017 — vol. 47, no. 3.)
The late 1990s and 2000s were marked by the emergence of the “creative industries” as the dominant paradigm in cultural policies and cultural policies studies. Both a discourse and an instrument, it was quick to spread, notwithstanding its many internal flaws and shortcomings—including, for example, its lack of consensus around key concepts, utopianism, and the overall subordination of culture to the so-called “knowledge economy”. The aim of this special issue is to assemble different perspectives and finely grained enquiries into the current state of digital cultural policies and policy-making across a large array of contexts related to the production, distribution, and consumption of digital culture, as well as geographical and institutional anchorage—perspectives and enquiries that will then dialogue with one another.
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Montpellier
Religion(s), secularity(ies), society(ies) and the digital humanities turn
3rd International Conference ComSymbol
The objective of this conference is to provide answers to two major issues: How religions being conquered by digital technologies are expanding and renewing their community life experiences and their social networks by generating new symbols and signifiers whose rapid spread in the public sphere is based on the development of innovative forms of production of science and knowledge circulation? How scholars, communication professionals, social activists, journalists, political, industrial and economic stakeholders are involved in the social transformation that accompanies the keen interest of religions for digital technologies and how to understand these distinct but interrelated changes?
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