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• 10 oct 2016

  Beitragsaufruf - Politikwissenschaften

  Digital Cultural Policies in Comparison

  International Journal of Arts Management, Lax and Society (fall of 2017 — vol. 47, no. 3.)

  The late 1990s and 2000s were marked by the emergence of the “creative industries” as the dominant paradigm in cultural policies and cultural policies studies. Both a discourse and an instrument, it was quick to spread, notwithstanding its many internal flaws and shortcomings—including, for example, its lack of consensus around key concepts, utopianism, and the overall subordination of culture to the so-called “knowledge economy”. The aim of this special issue is to assemble different perspectives and finely grained enquiries into the current state of digital cultural policies and policy-making across a large array of contexts related to the production, distribution, and consumption of digital culture, as well as geographical and institutional anchorage—perspectives and enquiries that will then dialogue with one another.

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