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• 30 sep 2017

  Tallinn

  Call for papers - Urban studies

  Modernism and Rurality: Mapping the State of Research (EAHN 2018 - Tallin)

  5th European Architectural History Network International Meeting, in Tallinn, June 2018

  This session aims to address, from a historical perspective, the relation between, on one side, architecture and the related disciplines, and on the other side, agriculture and rurality at large. We welcome proposals specifically mapping case studies concerned with large-scale agricultural development and/or colonization schemes conceived and (but not necessarily) implemented in Europe and beyond during modern times (late 18th-20th century), strongly connected to nation- and State-building processes, and to the modernization of the countryside. We are particularly interested in those examples which aimed to “make the difference” in both scale and numbers, entailing radical reshaping of previously uninhabited or sparsely populated areas into new, planned, “total” rural landscapes.

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• 15 sep 2017

  Córdoba

  Call for papers - Thought

  Arte / literatura / diseño / tecnologías

  II conversatorio internacional sobre tecnoestética y sensorium contemporáneo

  Uno de los principales propósitos del conversatorio es acercar a investigadores y estudiantes los debates y problemáticas que tienen lugar en el campo de la literatura y el arte digital desde una perspectiva analítica, crítica y reflexiva, orientando el pensamiento hacia el ámbito específico de la producción artificial de sensibilidades, con el objetivo de afianzar el crecimiento y el desarrollo de un área de estudios aún incipiente.

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• 15 sep 2017

  Pessac

  Call for papers - Ethnology, anthropology

  South Asian Diasporic Cinema: Encounters

  The fourth issue of /DESI/ will focus on the question of encounters in diasporic South Asian cinema: Afghanistan, India, Maldives, Pakistan, Bangladesh Nepal and Sri Lanka. The transformation of this contemporary human condition into filmic material coincides with a turn in the scientific study of diasporas. Forced migrations, which generate a movement of displacement and settlement in home territories, movements of arrivals, caught in a logic of deterritorialization, diasporas – and more particularly South Asian diasporas – are all relocated in transnational and transcultural spaces. Cinema holds a mirror to this experience of movement through this new “ethnoscape” (Appadurai) made up of shifts and disjunctures, free flows and political hurdles, border-crossings and assignment of identity.

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• 24 nov 2017

  Nantes

  Call for papers - Representation

  Self-portraits in costume: multiple identities at play

  The self-portrait in disguise may verge on parody or satire and entail carnivalesque reversals; it may also challenge the notion of physical integrity, singularity and authenticity especially when produced in series. By changing his/her sexual, ethnic, social identity, the artist may convey a strong message and situate his/her practice within society. We invite  to consider the complexity of the self-portrait in costume particularly in the contemporary period. Indeed, both postmodern reflexivity and self-referentiality, and the extended possibilities offered by image manipulation have revived this genre, with the success of selfies or avatars for instance raising new questions. 

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• 05 fév 2017

  Avanca

  Call for papers - Information

  Avanca | Cinema 2017

  International Conference Cinema – Art, Technology, Communication

  In July 2017 the AVANCA | CINEMA Conference celebrates its 8^th edition confirming that this is one of the leading conference in the field of cinema. Researchers are invited to present their studies in this space of dissemination and sharing of academic research.

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• 15 fév 2017

  Nice

  Call for papers - Modern

  Framing Street Art

  Cross-disciplinary International Conference by Nice Street Art Project

  Art is everywhere. You just have to open your eyes and/or decide that something is art. This is what Ernest Pignon-Ernest showed when he glued frames on the walls of Nice, France, from 2004 to 2013. Known for the celebration of the chosen place as a place of poetry and history, the artist used the frame as a sign to reveal the artistic potential of the walls, ie a tool of “artification”. The frame refers to the museum piece, which it encircles, protects and highlights. By definition, street artworks don’t have a physical frame, if by Street Art we mean a self-authorized art situated in the public place or in abandoned places, or any form of site-specific art. Nevertheless, the frame is an essential and problematic question in many regards.

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