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• 27 avr 2017

  28 avr 2017

  Lisbon

  Conference, symposium - Ethnology, anthropology

  Singing the Past

  Music and the Politics of Memory

  This international conference intends to investigate how songs can constitute means to narrate historical events as well as social and political figures.  This symposium intends to explore “unofficial” narratives that are clearly distinct from or opposing to political authority. This will allow us to investigate various relations to the past and how those may be performed, often through personal narratives constructing alternative histories.  Another central issue is the content of the songs. In other words, what in the songs’ material conveys historical and political meaning?  Nevertheless, it should not be studied apart from the music which conveys its social meaning. The choice of musical instruments, forms and aesthetics as well as musical borrowings or quotations highlights symbols that are superposed to and intertwined with textual content in a complex semiotic structure that needs to be unpacked.

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• 30 mar 2017

  Prague

  Call for papers - History

  Acts of justice, public events: World War II criminals on trial

  The conference suggests approaching trials of war crimes and of crimes against humanity, which took place in the aftermath of World War II and its following decades, as specific social events. By including professional and social actors (magistrates and police force, whistle-blowers, witnesses, defendants...) who got involved and shaped audiences of such trials, the conference endeavours to question the notion of publicization. It will cross this perspective with a study of the part played by the media supports in the organization and in the public reception of these trials.

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• 16 fév 2017

  Huddersfield

  Call for papers - Political studies

  Finding Democracy in Music

  For a century and more musicians have sought to relate their practices to the values of democracy. But political theory teaches that democracy is a highly contested category. This symposium aims to interrogate claims for the “democratic” nature of music.

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• 13 jan 2017

  Paris

  Study days - Law

  The Fate of Post-Mortem Personal Data

  Profiles compiled from scattered digital footprints left by the user on the Internet shape the outline of digital identities. While the Internet user is alive, he remains in charge of managing these identities, with the help of digital privacy law. Yet as civil rights befall the living, these data protection rights, as such, fall as his death occurs. This international workshop, organised in the frame of the ENEID research project on post-mortem digital identities, will bring together scholars from the field of Information and Communication sciences and from Legal studies, as well as experts working as Data Protection Officers or working for Data Protection Authorities, in order to take a closer look at the fate of personal data after death.

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