Sort

By publication date

By relevance

• 01 déc 2013

  Montreal

  Call for papers - Ethnology, anthropology

  The Transnationalization of Religion through Music

  The transnationalization of religion refers to the relocalization of beliefs, rituals and religious practices beyond state lines, in real or symbolic spaces, with the help of new imaginaries and narrative identities. Although the analysis of religious transnationalization has revealed the various ways religion transcends borders, the role of music in this process is rarely addressed. Yet this role is essential in the transnationalization of universal religions like Islam and Christianity. Music also contributes to the migration of local religions, neotraditionalist movements, and cults associated with a particular area, such as Haitian Voodoo, Cuban Santería, or Brazilian Candomble. Such musical phenomena, far from being new, gave birth to early religious globalizations.

  Read announcement

• 19 oct 2013

  Paris

  Study days - Information

  Press sources: truth, rumours and lies

  Centrada en el tema de las fuentes, nuestra propuesta para los dos años (2012/2013) quedaría orientada mediante las siguientes pistas de estudio que, como caracteriza a nuestra asociación, pueden inscribirse en el ámbito hispano de los dos lados del Atlántico : relación entre periodismo y fuentes en una perspectiva diacrónica ; información y opinión pública ; escrituras y géneros periodísticos ; lenguajes para crear, narrar e inventar.

  Read announcement

• 07 jui 2013

  08 jui 2013

  Strasbourg

  Conference, symposium - Political studies

  Changing the Tune: Popular Music and Politics in the XXIst century

  From the fall of communism to the Arab spring

  Popular Music scholars have devoted considerable attention to the relationship between music and power. The symbolic practices through which subcultures state and reinforce identities have been widely documented (mainly in the field of Cultural, Gender and Postcolonial Studies), as has the increasingly political and revolutionary dimensions of popular music. Most studies have focused on the genres and movements that developed with and in the aftermath of the 1960’s counterculture. Yet little has been written about how the politics of popular music has reflected the social, geopolitical and technological changes of the late 20^th and early 21^st centuries, after the fall of Communism. Still, the music of the Arab Spring or of the Occupy and Indignados movements have been scarcely commented upon while they attest to significant changes in the way music is used by activists and revolutionaries today.

  Read announcement

• 30 jui 2013

  Call for papers - Geography

  Ethnic or national minorities. Between renewal and permanence

  Belgéo Review

  The coordinaters of this issue of he Belgéo review plan to reflect about the "ethnic or national minorities", two polysemous concepts here perceived in a way opened to interpretation even if they are inscribed in P. Poutignat and J. Streiff-Fénart’s definition, when they state that these groups “only exist thanks to the subjective belief their members share that they constitute a community.” The minority group is dialectically linked to the existence of a majority. It can be said “ethnic” because of racial parameters but above all because of the presence of linguistic, religious, cultural or other discriminating and specific markers. The will to be different expresses itself in various ways – instutional or not – and leads to very diverse situations, located between resistance and cooperation, forced integration and autonomy. The way to name places, individuals, but also their status – granted or claimed for – their visibility in the social and political space, are elements characterizing the notion of “otherness”.

  Read announcement