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Paris
Beitragsaufruf - Frühe Neuzeit
We welcome proposals discussing all aspects of youth and Shakespeare or his contemporaries. What exactly was innovative, revolutionary even, in Shakespeare's youthful productions, and what might be learnt from them by today’s young audiences, scholars, performers and readers? How far can today’s young actors, directors, academics in literature and history, find inspiration for their own works in the “Young Shakespeare” experience? What types of products and productions aimed at young people today draw their titles, characters or elements of plots from Shakespeare?
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