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Lisbon
Work on screen: social memories and identities through cinema
Since the early 20th century, work in contemporary societies has suffered several processes of change, which, in the context of the current economic and employment crisis, demand equating the structuring of social identities that are built and modified through work. During this period, cinema has been a privileged vehicle for the creation and dissemination of representations on work and, therefore, the shaping of social memories. This international and multidisciplinary seminar aims at gathering and discussing contributions that analyse the social processes involved in the formation of work identities and representations through cinema. It welcomes papers that highlight the main continuities and discontinuities of work memory narratives from the early 20th century to the present days, based on the analysis of specific films or bodies of films (both documentaries and fictions) and their reception.
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Lisbon
Call for papers - Ethnology, anthropology
Glazed Ceramics in Architectural Heritage
Glaze Arch 2015
Glazed ceramics are used in architecture since at least the 6th century BC, as the magnificent Ishtar Gate, partially reconstructed in the Berlin Pergamon Museum, testifies. Glazed tiles decorated with intricate geometric patterns and Arabic writing were for centuries, and still are, in widespread use in the Islamic countries and for westerners remain one of the most recognizable and constant marks of the beauty of mosques. From their origin in the Middle East and flourishing in the Islamic world, glazed tiles spread to Spain and Portugal, to Italy, the Low Countries and most of Europe. Modern majolica was perfected in Italy during the 15th century and saw an early architectural integration in the works of Luca Della Robbia. A representative work is the vault of the Capilla del Cardinal del Portugallo in the church of San Miniato al Monte (Florence) where the tondi protrude from a covering of patterned glazed tiles, curiously of the same pattern as later used in façade glazed tiles manufactured in Lisbon in the 19th century.
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Avanca
International Conference Cinema – Art, Technology, Communication
During five days, in the small village of Avanca, cinema was the unifying theme which provokes fruitful encounters between participants and convert Avanca into a Cinema Village, a stage for sharing, debate and dissemination of their research. The Avanca | Cinema asserts itself as a unique and important conference on the national and international scene, not only due to the average number of participants but also thanks to the broad range of themes presented in the last five editions. Moreover, the fact that this happens along with the Avanca Film Festival creates a complete event offering a varied program with workshops, screenings, book presentations, roundtables, plenary and parallel sessions to many researchers, academics, filmmakers, producers, actors, critics, technicians, moviegoers, among others.
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