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• 15 déc 2015

  Münster

  Appel à contribution - Représentations

  L’héraldique dans les salles d’apparat

  Vers une typologie des programmes héraldiques dans les lieux d’autoreprésentation

  Soit dans les palais royaux et princiers, les châteaux nobles, les résidences patriciennes, les hôtels de ville ou les chapitres de cathédrales, maintes salles d’apparat du Moyen Âge et de l’Époque moderne sont munies de programmes héraldiques. Alors même qu’ils font partie intégrante de l’arrangement de ces salles, ceux-ci ont été cependant peu étudiés jusqu’ici. Ce workshop a pour objectif de proposer une première vue d’ensemble de ces programmes héraldiques des salles d’apparat par travers le Moyen Âge et l’Époque moderne en Europe et d’en proposer une première typologie.

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• 31 oct 2015

  Venise

  Appel à contribution - Représentations

  Typical Venice?

  Venetian Commodities, 13th-16th centuries

  What are "Venetian" commodities? More than any other medieval or early modern city, Venice lived off of the trade of portable goods. In addition to trading foreign imports, the city also engaged in intense local production, manufacturing high quality glass, crystal, cloth, metal, enamel, leather, and ceramic objects, characterized by their exceedingly rich forms and complex production processes. Today, these objects are scattered in collections throughout the world, but little remains in Venice itself. In individual instances, it is often difficult to tell whether the objects in question were actually made in Venice or if they originated in Byzantine, Islamic, or other European contexts.

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• 31 oct 2015

  Helsinki

  Appel à contribution - Histoire

  Urban spaces, mobility and "citadinité" in the Mediterranean cities (14th to 18th century)

  The panel focuses on mobility and insertion in the cities of the Mediterranean area, during the early modern age. Since the Ancient times, Mediterranean cities are centers for commercial and cultural exchanges, and crossroads of migratory streams. These "sedimented" cities have a long tradition of multi-cultural society and reception of foreigners while remaining, to this day pivotal centers for international circulation and migration, and gateways to Europe.

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• 15 sep 2015

  Leeds

  Appel à contribution - Histoire

  Théorie et pratique de l’hippisme médiéval

  Sections du congrès international médiéval (Leeds 2016)

  Sont recherchées des communications sur tous les aspects de l'hippisme médiéval pour des sections thématiques organisées pendant le congrès international médiéval (IMC) ayant lieu à Leeds en 2016.

   

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• 25 fév 2015

  26 fév 2015

  27 fév 2015

  Lisbonne

  Colloque - Moyen Âge

  Sephardic Book Art of the XVth century

  This conference will focus on the cultural and artistic questions posed by Sephardic codices of the 15th century by gathering scholars who have studied or are studying these manuscripts. Moreover, issues related with the materiality of these manuscripts will also be discussed, including codicological and paleographic approaches, as well as the fate of these manuscripts after the forced conversion or expulsion of Sephardic Jews between 1492 and 1498, among other related topics. Invited speakers include Andreina Contessa, Javier del Barco, Katrin Kogman-Appel, Maria Teresa Ortega Monasterio, Sarit Shalev-Eyni, Shalom Sabar, Sonia Fellous.

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• 25 mai 2015

  Barcelone

  Appel à contribution - Moyen Âge

  Episcopal, Canonical and Secular Memorial Devices in Medieval Cathedrals

  Art, Architecture, Liturgy and Writing

  TEMPLA invites international researchers into medieval art history and related disciplines to debate the concept and expression of “dynamic episcopal and canonical commemoration” which occurred in European episcopal sees during the medieval period. The concept of commemoration goes beyond the funerary to include all those works, activities and uses of space that transmit through time a record of bishops and canons, their institutions, and important lay people. These commemorative works, however, were grafted onto a common setting that was in use over a long period of time. Thus, each cathedral setting witnessed the emergence of different dynamics in terms of the interactions and intersections between individual and/or collective memory. 

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