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  • Zurich

    Conference, symposium - Middle Ages

    The Dominicans and the Making of Florentine Cultural Identity

    Influences and Interactions between Santa Maria Novella and the Commune of Florence (1293-1313)

    Florence, the celebrated city-republic, dominates the historiography of medieval Italy still today. Her glory and crises define the paradigm for investigating other medieval city-states. As attention to medieval cities has increased, so too the history of the Dominican Order has constituted a major field of study, since the Dominicans were at the forefront of the cultural and religious life of Medieval cities. This conference intends to analyse the reciprocal influences and interactions between the activities and works of this constellation of Dominican intellectuals and the making of Florentine cultural identity through the social and political events that consumed the public life of the Commune between 1293 and 1313.

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  • Paris

    Call for papers - History

    Populisms in Central and Eastern Europe in the 20th Century

    Since the 1990s, several political movements qualified as “populist” have emerged in Central and Eastern Europe, drawing the attention of political scientists. If we want to understand why these movements exercise such attraction and why they are so relentless in this space, it is necessary to cross the study of current politics with the analysis of long term developments. 

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  • Barcelona

    Call for papers - Thought

    "Forma", 14th issue, Comparative Studies in Art, Literature, and Thought Journal

    Revista d'Estudis Comparatius. Art, Literatura i Pensament's "Forma" numero 14

    FORMA privileges the dialogue between disciplines and critical traditions. The subject matter of the articles is open. All the texts, as specified in the System of Arbitration section, have to comply with the guidelines established by the entities in charge of indexing scientific journals, with regard to the plurality of the editorial and scientific committees as well as the selection process and revision of published texts. All articles will undergo a double-blind peer review process.

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  • Berlin

    Conference, symposium - Europe

    History and drama: The pan-European tradition

    DramaNet Conference V

    Rereading Aristotle, Dionysius of Halicarnassus, and Demetrius through the lens of contemporary narratology provides scholarship with a potentially fruitful perspective for investigating the relationship between historical narrative and other forms of literature. In particular, the reflections of Dionysius and Demetrius on narrative style at the micro-level, as well as those of Aristotle on history and tragedy as ways of representing knowledge at the macro-level, might enable historians and comparatists to focus on the question of how pan-European historical narratives are related to the drama of their times.

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  • Rauischholzhausen

    Call for papers - History

    Reading History in Antiquity

    Audience-Oriented Perspectives on Classical Historiography

    The 21st century could justifiably be deemed an era highly fertile for the examination of ancient readership of classical historiography. This is because the last decades have contributed to the liberation of modern scholarship from the nineteenth-century positivism’s persistence in scrutinizing the “objectivity” of ancient historians and seeing them mostly as the celebrated exemplars of critical acumen and scientific conscientiousness. On the contrary, if we try to summarize the prevailing modern perspectives on classical historiography, we may refer to the analysis of the ancient historians’ view of the nature of the historical development, their goals in preserving the past by writing history, the literary qualities of ancient historical accounts, and the techniques the ancient historians used in order to disseminate certain ideological and interpretive messages and to create specific emotions in their readers.

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  • Barcelona

    Call for papers - Modern

    The Transatlantic Embrace: Spanish Civil War in America’s Intimate Distance

    "Forma" Revista d'estudis comparatius. Art, literatura, pensament

    Spanish Civil War has been studied under its multiple angles. This can also be said about the literature concerning this topic: novels, poems, and all literary forms generated by this armed conflict (both by Spanish and foreign intellectuals) have been commented by academic criticism from both sides of the Atlantic Ocean. However, fewer approaches have set the axis of their critical focus on the importance of the Spanish conflict in America and its decisive relevance as a part of a phenomenon that is also American. This special number of the FORMA journal sets out to give a voice to all types of contributions able to shed a new light on this fundamental aspect of the war, whose causes and consequences are clearly rooted in Spain, but whose horizon overflows the peninsular and continental borders and requires an inevitably transatlantic point of view.

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  • Batalha

    Conference, symposium - Science studies

    Wisdom and science in the (Iberian) Middle Ages

    Centro Interuniversitário de História das Ciências e da Tecnologia (CIUHCT) and Mosteiro of Batalha present the conference “Wisdom and science in the (Iberian) Middle Ages”. A day dedicated to medieval knowledge, with renowned international speakers. The keynote speaker will be Professor Charles Burnett of the Warburg Institute, London.

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  • Baltimore

    Call for papers - Thought

    Utopia in a Post-secular Society: at the Cross-sections of Literature and Philosophy

    48th Annual Convention, Northeast Modern Language Association (NeMLA)

    An element that seems to characterize the 20th century reflection on utopia is its secular nature. Through a re-thinking of the place and roles of religion in society, the post-secular turn we are witnessing in recent theory (Habermas, Taylor, Asad, Mahmood) may provide a critical point of departure for questioning this specific aspect of utopian tradition. In this panel, we invite papers that reflect on the relationship between utopia and religion, as it is worked out in 20th century literature and philosophy: How does the place of the utopian tradition change in the context of the “return of the religion” in a post-secular society?

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  • Paris

    Conference, symposium - Middle Ages

    Words

    Medieval Textuality and its material display

    The International Medieval Society organizes its 13th Annual Symposium in Paris, on the theme of Words in the Middle Ages. Between the increasing use of paperless media forms and the rise in the number of digital collections, medievalists are seeking to adapt to these new means of producing knowledge about the Middle Ages. At the same time, scholars in this field are also trying to outline the methodological and historical issues that affect the study of words, which now simultaneously exist in the form of primary sources, codices, rolls, charters and inscriptions, digitally reproduced images, and the statistical and lexicographical data made possible by storage platforms and analytical tools.

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  • Paris

    Conference, symposium - Political studies

    The Left and nationalism in Europe

    The tragic attacks in Paris on 7 January and 13 November 2015 have engendered vivid debates about national identity and national culture in France, and accelerated the promotion of patriotism by the socialist government. At the European level, whereas the death of nations has been predicted along with the triumph of globalisation, nations and nationalism make a spectacular come back in public debates, and put most European left-wing parties in an embarrassing position.

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  • Brno

    Call for papers - Representation

    Orient oder Rom?

    Prehistory, history and reception of a historiographical myth (1880Ð1930)

    Today the question “Orient oder Rom?” is no longer a topical issue in medieval art history, although a persuasive answer has never been formulated. One of the reasons for this oblivion deals with the controversial figure of Josef Strzygowski, who in 1901 published about the question his pivotal volume, nowadays discredited for its racial and proto-nazi judgement.However, the question “Orient oder Rom?” concerns not only with Josef Strzygowski: the prodromes of this critical concepts goes back to the nineteenth century, when the Russian, Austro-Hungarian and Ottoman empires fought to control territories. The conference aims to distance from the sole Strzygowski’s perspective and to comprehend and rewrite the story of a pivotal concept for both art historiography and cultural identity. 

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  • Conference, symposium - History

    Rethinking pictures

    A transatlantic dialogue

    On the occasion of the launch of Picturing, the first volume of the Terra Foundation Essays, a new publication series exploring themes of critical importance to the history of arts and visual culture of the United States, the Deutsches Forum für Kunstgeschichte, Paris, and the Terra Foundation for American Art are jointly organizing a conference to further the transatlantic dialogue about what pictures are and what they do. This conference invites speakers to reflect on the differences and convergences between the intellectual traditions of visual studies and Bildwissenschaft. Are there ways to think about pictures anew by bringing these models more closely together?  Does the move away from visuality towards the material offer possibilities for overcoming early differences between these two approaches?

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  • Bremen

    Call for papers - Modern

    Intersections of Art, Science, and Technology in Soviet Film and Culture

    By maintaining the tension between artists’ imaginative approaches to technology in the Soviet Union (Meyerhold’s Biomechanics), film directors’ use of science such as physiology (Eisenstein’s Expressive Movement), and scientists’ own theorization of art history (Lev Vygotsky’s The Psychology of Art), this workshop aims at unpacking the historical and political forces behind Soviet film theory, film practice, and art history in relation to science and technology. While examining the juncture between art, science, and technology in post-Revolutionary Russia, with a focus on the avant-garde period until the death of Joseph Stalin, cinema is thus considered as a device beyond its medium of film (Francois Albera, Maria Tortajada: Cinema Beyond Film) and the medium-specificity of the arts is called into question.

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  • Lisbon

    Call for papers - Modern

    Crossing Borders: Intellectuals of the Right and Politics in Europe and Latin America

    Transnational Perspectives

    During the interwar period, authoritarian movements and regimes of the right - both of the "old" authoritarian and of the "new" radical varieties - professed their faith in national values but at the same time saw themselves as national agents of an otherwise international intellectual and political wave. Starting from the mid-1920s, a growing sense of shared goals, commonality of vision, and sense of history-making mission led them to draw on each other for inspiration and support. It soon became clear that these movements and regimes embraced ideas from each other, actively studying each other’s discourses and initiatives in the political field. The conference aims to promote a different understanding of the role of intellectuals of the interwar right who perceived themselves as transnational agents “at the service of an idea”. 

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  • Paris

    Call for papers - Europe

    The Left and Nationalism in Europe

    The tragic attacks in Paris on 7 January and 13 November 2015 have engendered vivid debates about national identity and national culture in France, and accelerated the promotion of patriotism by the socialist government. At the European level, whereas the death of nations has been predicted along with the triumph of globalisation, nations and nationalism make a spectacular come back in public debates, and put most European left-wing parties in an embarrassing position. In the aftermath of world war two, the Left gradually became suspicious of references to the nation, traditionally associated with rightwing ideologies. Yet in a time of identity debates and persistent collective attachment to nations, patriotism, sovereignty and nationalism are also increasingly used as political arguments.

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  • Call for papers - Modern

    Writing 1914-1918. National Responses to the Great War

    Studies in Twentieth and Twenty-first Century Literature Special Issue

    Numéro spécial de la revue Studies in Twentieth and Twenty-first Century Literature portant sur les réponses apportées par le monde littéraire à la crise du langage et des représentations ayant frappé les écrivains à la suite de la Grande Guerre. L'accent sera mis sur les langues française, espagnole et allemande, sur l'influence des différents contextes nationaux sur la forme des écrits littéraires nés de la guerre, ainsi que sur la valorisation de textes peu connus du grand public.

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  • Heraklion

    Call for papers - Europe

    Semantic Web for Scientific Heritage

    SW4SH 2016: Second International Workshop

    Classicists and historians are interested in developing textual databases, in order to gather and explore large amounts of primary source materials. For a long time, they mainly focused on text digitization and markup. They only recently decided to try to explore the possibility of transferring some analytical processes they previously thought incompatible with automation to knowledge engineering systems, thus taking advantage of the growing set of tools and techniques based on the languages and standards of the semantic Web, such as linked data, ontologies, and automated reasoning. SW4SH 2016 aims to provide a leading international and interdisciplinary forum for disseminating the latest research in the field of Semantic Web for the preservation and exploitation of our scientific heritage, the study of the history of ideas and their transmission.

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  • Paris

    Conference, symposium - Sociology

    Legacies of Shmuel Noah Eisenstadt

    From Philology to Sociology

    This conference is dedicated to the study of the system of thinking of sociologist Shmuel Noah Eisenstadt, especially focusing on his capacity to understand how plurality has been a major constitutive driving force at the basis of societies.

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  • Nantes

    Conference, symposium - Law

    Theological Foundations of Modern Constitutional Theory: 16th-17th Centuries

    Fondements théologiques de la théorie constitutionnelle moderne : XVIe-XVIIe siècles

    This conference aims to assemble different studies laying bridges between modern constitutional theories and theology from the perspective of intellectual history. Though modernity of law and politics has been usually accounted in the context of Reformation, the paper-givers’ approaches to the question will not be restricted in any confessional perspective, Protestant or Catholic. For, whatever the word ‘theology’ may have connoted in the time of religious confrontations, theoretical attempts to legitimize human rights and political authority at those days can be regarded as part of the general current of philosophical investigations, in a new manner and with different foci than ever, into the concept of justice with reference to that of God.

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  • Call for papers - Representation

    Syncope in Performing and Visual Arts

    Presence and absence being at the core of the state of syncope, it is not surprising to see the neo-platonician philosopher Marsilio Ficino including it among the seven states of vacatio in Book XIII of the Theologia Platonica along with sleep, melancholia, temperance, solitude, stupor and even chastity, among the seven possibilities for the soul to escape the materiality of the body. This book project is precisely the third part of the vacatio series in the collection Via Artis after two books on sleep in visual arts. Ficino’s categories are used as impulses and here what we are particularly interested in is not the spiritual aspect of syncope but precisely its materiality, how does syncope manifest or does not manifest itself in performing and visual arts? What is the intention of the artist when representing the syncope? Is it to show who experiences it or what is seen when there is figuration? Or is it above all, to make those who do not experience it feel what is experienced in a state of syncope?

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