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Paris
Call for papers - Urban studies
Changing the world - urban experimentation in the United Kingdom (19th-21st centuries)
Le Royaume-Uni offre depuis longtemps un terreau fertile pour les utopies et expérimentations urbaines. De Utopia de Thomas More en 1516 aux New Towns des années 1950 et 1960 en passant par News from Nowhere de William Morris en 1890, la société britannique a fourni l’inspiration à nombre de visionnaires critiques de la société contemporaine afin de formuler des projets sociétaux autres. Cette journée d'études s’intéressera aux projets mis en œuvre en milieu urbain depuis le XIXe siècle pour transformer celui-ci et parfois, au-delà, la société britannique dans son ensemble.
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Rennes
"OK Computer", twenty years on: Radiohead’s musical, cultural, and political legacies
As a band who has garnered critical and commercial success without forsaking their taste for musical experimentation and subversive, yet poetic, lyrics, Radiohead offer multiple facets to their listeners and to popular music scholars alike. Nevertheless, only a handful of academic studies have, to this day, been devoted their work, including The Music and Art of Radiohead (Tate, 2005).
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Kalamazoo
Maritime Ivories in Western Europe, 900-1500
In the history of carved ivories, maritime mammals have often been eclipsed by the elephant, considered as a nobler ivory to which walrus or whale ivory would only be a poor man's substitute. But this historiographical view is not without its shortcomings, as not only did walrus hunting play a significant role in the first European explorations toward the west, but the trade for those ivories went as far as the Islamic world and even the Far East. This session at the 52nd International Congress on Medieval Studies, sponsored by the National Museum of Scotland, aims to address the variety of questions posed by the maritime ivories: how the raw material was collected, how it was traded, the workshops that carved them and their specific symbolic value in medieval treasuries
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Oxford
Genealogical rationality and social status in the Enlightenment
La généalogie est un puissant idiome de hiérarchisation sociale dans l'Europe d'Ancien Régime et garde son efficace bien au delà des transformations sociales portées par l'âge des Lumières. On s'interrogera dès lors sur les transformations qu'a subies, dans l’espace temporel qui va de Fénelon à Kant, cette forme particulière de connaissance qu’est la raison généalogique, ainsi que les usages qu’en faisaient les différents acteurs sociaux.
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Nanterre
Society, culture, community in the United Kingdom (1970-79)
This two-day conference focusing on British society of the 1970s seeks to enlarge and to alter perspectives on the period. The intention is to examine the dynamic of contradiction, inventiveness and tensions that is at work. The intention of the conference-organizers is to circumvent and thus question any “teleological” or linear reading of the period in terms of the necessary “coming of Thatcherism” in the United Kingdom, where the politics and culture of the period are read as so many symptoms or omens of the 1979 election result. The aim is to focus on the plurality of conflicting possibilities evident in the period, and therefore on the contingency of outcomes.
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Rennes
Art and the Environment in Britain 1700-today
Whether one thinks of environment as context, setting, climate change, green spaces or sounds, today’s epistemology invites us to rethink man’s relation to the external world to the extent that the “inside” and “outside” coalesce, nature and culture merge, man and animal are reconfigured. How have British artists responded to these shifting perceptions of the world around them, of this great swirling circle of life and non life in which they found – or imagined – themselves diversely positioned, for a long time at the centre, then in a more undefined place – at the margin even? How has art itself positioned itself in this newly defined environment?
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Copyright and the Circulation of Knowledge
Industry Practices and Public Interests in Great Britain from the 18th Century to the Present
New combinations of technology, culture, and business practice are transforming relationships among authors, publishers, and audiences in many fields of knowledge, including journalism, science research, and academia. Self-publishing, open-access, open source, creative commons, crowd sourcing and copy left: these are a few of the key words associated with recent changes in how knowledge is produced and circulated. While being celebrated for their potential to democratize knowledge, many of these changes have been accompanied by heated debates on such questions as the appropriate role of experts and ‘gatekeepers’; how to ensure that such projects are both trustworthy and economically viable; and how best to balance the interests of authors, publishers, and the general public. Copyright is often at the centre of these discussions.
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Tours
Mother Figures and Representations of Motherhood in English-speaking Societies
This conference aims to question the various ways in which motherhood is judged, how political choices are translated into cultural representations of mothers as either icons or scapegoats, and how these representations are received and challenged in a quest for either conformity or agency.
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Paris
Call for papers - Representation
Congrès 2017 de la Société Française Shakespeare
En ces temps de violences économiques, d’angoisses écologiques, de migrations forcées, de guerres et de terrorismes, il apparaît pertinent d’examiner les manières dont les scènes élisabéthaine et jacobéenne ont thématisé et utilisé la peur, et de réfléchir aux résonances qu’elles continuent de susciter aujourd’hui. On citera à cet égard le livre de Robert Appelbaum, qui n’hésite pas à nommer « terrorisme » la violence qui a secoué la société anglaise de la première modernité, du massacre de la Saint-Barthélemy aux complots et aux révoltes populaires. Le rapport entre Shakespeare et la peur passe notamment par les réappropriations des pièces dans le contexte des crises que nous traversons aujourd’hui. Comment se sert-on ou s’est-on appuyé sur Shakespeare pour conjurer la peur, ou pour déconstruire les mécanismes de la terreur, tant celle de la dictature que celle des attentats aveugles.
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Cerisy-la-Salle
The Colloquium is devoted to the history of fish, aquatic monsters and mammals in the northern seas (the English Channel, North Sea, Baltic Sea, Norwegian Sea, the North Atlantic), from antiquity to 1600. The colloquium is based on three themes: knowledge and the transmission of knowledge (medical knowledge, zoological knowledge, descriptions, identifications); savoir-faire and exploitation (aquatic farming, fishing, cooking, medicine); explorations – real and imaginary.
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Reims
The circulation of popular culture between Ireland and the USA (18th-21st centuries)
Dans le système de culture mondialisée qui caractérise les sociétés contemporaines, l'organisation d'un colloque international invite à concentrer l’attention sur un cas d’étude, la circulation des diverses formes de culture populaire entre Irlande et États-Unis. L’ancienneté, la constance et de l’intensité des échanges culturels entre les deux nations sont en effet largement antérieurs à la mondialisation culturelle ultra-contemporaine. Cette singularité inscrite dans la longue durée permet de mettre en perspective les phénomènes contemporains tout en les interrogeant.
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Paris
Revue Études Canadiennes / Canadian Studies (n°80 – June 2016)
The editors of Revue Études Canadiennes/Canadian Studies seek papers (in French or in English) that explore the ways in which WWI might have transformed Canada and Canadians, at home and in the Empire, or how Canadians’ participation in the Great War was represented in literature and the arts.
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Amiens
A tragedy for the 21st century
Edward Bond's logic of theatre and TiE (Theatre-in-Education) plays
En nous fondant (non exclusivement) sur les dix pièces écrites par Bond depuis 1994 pour être jouées pour et avec des collégiens et lycéens, les rencontres européennes Edward Bond (Paris-Amiens 2016, 8-9-10 novembre 2016) viseront à explorer, dans un cadre universitaire, mais aussi sur les plateaux et les scènes de théâtre, les outils théoriques et conceptuels — proprement « poétiques » — que Bond forge et met en pratique pour l'art dramatique depuis plus de cinquante ans, en vue de l'urgente et nécessaire ré-invention d'une dramaturgie apte à regarder les yeux dans les yeux notre crise présente (que Bond nomme depuis 2012 la « troisième crise » de la culture occidentale.
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Nantes
Call for papers - Representation
This 2016 workshop on contemporary US-UK photography will take on the notion of censorship. With photography as its starting point, this edition aims to extend the debate to include the contemporary image on the whole. It is interested in the intermedial forays of other artistic forms in the practice of photographers (art installations, video and/or audio productions, performance, urban art practices, text/image interactions). How does the very artistic form/medium become in itself a means of expression and commitment when confronted with censorship, a means to create unity against censorship, a tool for identity expression of a group or of a minority, to circumvent constraints, or thrive upon these limits and generate creative impetus from them?
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Lyon
The theories of light and vision in Anglo-Saxon thought in the 17th and 18th centuries
Philosophical Enquiries – Revue des philosophies anglophones
Ce numéro thématique est consacré aux « Théorie de la lumière et théorie de la vision dans le monde anglo-saxon aux XVIIe et XVIIIe siècles ». La thématique inclut bien sûr tous les travaux portant sur les interactions entre la pensée anglo-saxonne et les travaux en optique et sur la théorie de la lumière développés en Europe à la même époque.
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Lyon
Philosophical Enquiries – Varia
Revue des philosophies anglophones journal
Pour ce numéro Varia sont accueillies toutes les propositions d’articles traitant du champ de la revue (la pensée anglo-saxonne du XVIe siècle à nos jours), ou les actes de colloques s’y rapportant. Les travaux peuvent croiser l’actualité de la recherche avec l’éclairage critique ou généalogique des travaux d’histoire de la philosophie et des sciences les plus pointus, ou encore analyser précisément des textes canoniques du corpus de langue anglaise de la philosophie, et leur contextualisation historique, leurs interactions avec les penseurs d’autres champs de l’histoire de la philosophie, ou encore les espaces extérieurs à la philosophie (le théâtre, le droit, les pratiques politiques, les techniques, les religions, la médecine, etc.).
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