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Tel Aviv | Paris
Call for papers - Representation
Beginnings, Genesis and Creation in the Art of the VXth and XVIth Centuries
This conference seeks to introduce a variety of different approaches and interpretations of the concept of “origins” within the visual arts during the Renaissance. However, to consider the question of origins necessitates establishing a distinction between an original beginning such as the creation of the world, an event which initiated historical time, and the symbolic exercises of re-creation that follow it. These phenomena of echo or aemulatio are defined by their manifest desire to capture the primal energy of the original beginning. Such re-creations attempt to reproduce the vitality inherent in the original beginning, and are characterized, above all, by a fundamental desire to reestablish a link to an ideal and initial origin.
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Yogyakarta
Indonesian Exceptionalism: Values and Morals of the Middle Ground
‘Exceptionalism’ is a borrowed political term that implies that a country or entity is somehow special. Indonesia is not small. Indonesia is not poor in cultures, religions, society, or ethnic groups. Indonesia is not unimportant economically, regionally, or politically. Historically, Indonesia has always been an exceptional place. Indonesia as ‘imagined community’ continues to be an ongoing process. Various questions that can be raised include: What are relevant Indonesian values and morals for maintaining Indonesia’s competitiveness in the global world? What is religion’s contribution to forming agreed values and ethics? To what extent is there an Indonesian contribution in balancing Islamic values and democratic practices? How do religious values impact the ethics of state governance?
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Tokyo
African presence - towards new political and cultural perspectives
Identities, memoirs and resistance between Africa, Europe and the Americas from colonialisation to post-colonialisation
Ce projet de recherche porte sur la revue littéraire et culturelle « noire » Présence Africaine, créée par le sénégalais Alioune Diop en 1947 et qui continue d’être publiée jusqu’à nos jours. En tant que revue majeure de l’intelligentsia « noire », elle a joué un rôle politique et culturel particulièrement important dans la période de la décolonisation autour des années 1950.
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