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Stipendien, Preise und Stellenangebote - Amerika
The Charles C. Eldredge Book Prize in American Art
The Smithsonian American Art Museum invites nominations for the 2015 Charles C. Eldredge Prize, an annual award for outstanding scholarship in American art history. Single-author books devoted to any aspect of the visual arts of the United States and published in the three previous calendar years are eligible.
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Den Haag
Friend or Foe: Art and the Market in the Nineteenth Century
International conference organized by the European Society for Nineteenth-Century Art, the Netherlands Institute for Art History (RKD) and The Mesdag Collection, in conjunction with the exhibition on the artist, collector and gentleman-dealer Hendrik Willem Mesdag and the Dutch Watercolour Society, at The Mesdag Collection in The Hague, the publication on this illustrious artist and his different roles within the art world, and the digital reconstruction of the art collection owned by Mesdag, carried out by the Netherlands Institute for Art History.
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Washington
Stipendien, Preise und Stellenangebote - Darstellung
Terra Foundation Fellowships at the Smithsonian American Art Museum
The Terra Foundation Fellowships in American Art at the Smithsonian American Art Museum seek to foster a cross-cultural dialogue about the history of art of the United States up to 1980. They support work by scholars from abroad who are researching American art or by U.S. scholars who are investigating international contexts for American art. Fellowships are residential and support full-time independent and dissertation research.
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Beitragsaufruf - Epistemologie und Methoden
Artl@s Bulletin 4, 2 (Automne 2015)
Le tournant spatial des sciences humaines a poussé différentes disciplines à déconstruire la fabrique des faits artistiques : l'étude de la circulation des œuvres et des artistes apparaît maintenant comme un levier fertile pour cerner les logiques, les contraintes et les transgressions de l'histoire géographique de l'art. Ce « retour aux faits » appelle à une réflexion sur les méthodes employées pour identifier, collecter, mettre en cohérence et interpréter l’information géographique des traces laissées par l’activité artistique. Réfléchir sur la traçabilité des savoirs et des faits artistiques, c’est l’objet de ce numéro spécial d’Artl@s Bulletin.
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Paris
Michel Foucault : arts & humanities in the 21st Century
Art and architectural history, visual culture, literary studies, media and film studies and aesthetics have all “partaken” of Foucauldian theories, but a comparative exploration of Foucault’s significance has been lacking. If the reception of Foucault has focused on single disciplines and discrete areas of thought, it has also differed across specific linguistic and/or geo-political lines. This colloquium seeks to map the philosophy of Foucault as it impacts the future of the arts and humanities across cultures, institutions and practices.
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Lissabon
Beitragsaufruf - Ethnologie, Anthropologie
Screen : Device, Medium, Concept
The Post-Screen 2014 is an International Festival of Art, New Media and Cybercultures to be held in 28 and 29 of November 2014, in Lisbon, Portugal, and is the first edition of several international meetings related to the use of screens and its influence on contemporary thought.
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Berlin
Beitragsaufruf - Frühe Neuzeit
Images of the courtier in Northern European art, 1500-1700
L’image du courtisan a été fréquemment étudiée par les historiens de l’art italien, notamment autour de la figure de Baldassare Castiglione. Elle a été, en revanche, singulièrement moins traitée en relation avec les pays d’Europe septentrionale – pays germaniques, Flandres, Provinces-Unies, France, Angleterre. À l’occasion de la rencontre de la RSA à Berlin (2015), nous souhaiterions aborder cette question en proposant une comparaison des théories et des pratiques, des rituels sociaux et religieux, des stratégies politiques et institutionnelles ou des mécanismes d’appartenance et de distinction élitaire. Il s’agira de reconstituer l’imaginaire du courtisan, qui suscite l’émulation entre les espaces curiaux traditionnels (France, Flandres), encourage de nouvelles formes de sociabilités (pays germaniques, Angleterre) ou est reformulé par des sociétés dénuées de cours officielles (Sept-Provinces). L’accent sera mis sur l’examen des formes symboliques prises par cet imaginaire dans les arts visuels (allégories, emblèmes, etc.) mais aussi dans l’architecture et le décor, où la notion de convenance est prépondérante.
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Rom
Beitragsaufruf - Städteforschung
Summer School "History Takes Place - Dynamics of Urban Change"
The summer school invites applications particularly from postgraduate students in history, art history, cultural studies and the social sciences, as well as young architects and city planners. Applicants should have a genuine interest in an interdisciplinary exchange on the history of the city and city development. Participants should have a specialization connected with Rome as well as a keen thematic and methodological interest in urban studies. Sessions will be held in English. Applicants are expected to prepare for the sessions with course materials and reading lists in order to be able to give a presentation on a set topic related to their academic interests and competencies. Travel and accommodation expenses will be covered by the organizers.
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Paris
Censorship, Emotions and Cultural Regulation in South Asia
This workshop aims at exploring issues of literary and artistic censorship in South Asia (India, Pakistan and Bangladesh) by focusing on the way anticipated "hurt" often justifies the policing and regulation of the artistic sphere (cinema, visual arts, literature). Our point of departure is, in the words of Arjun Appadurai, the observation that culture is today the field "where fantasies of purity, authenticity, borders and security can be enacted" and that the same censors patrol the boundaries of politics and aesthetics (Coetzee). In the Indian subcontinent "hurt feelings" are often reactivated or cultivated, staged and mass-mediatised to claim recognition and legitimacy in the public sphere, to require compensation or "redressal". Many artists, writers and academics point to a politics of ultra-sensitivity and a thriving "marketplace of outrage". Our objective in this workshop is to question the vocabulary, topicality and tangibility of "hurt" in the public sphere on these issues of artistic regulation in South Asia, and to understand what it means to say that words or images wound.
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Paris
This two-day conference entitled Censorship and Women's Resistance in the Performing Arts, from Continental Asia to Insular Southeast Asia brings together scholars and artists from Asia, Europe and North America concerned with censorship and the various forms of struggle and resistance that female performing artists from Central, South and South-East Asia have engaged with in the twentieth and twenty-first centuries.
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Brünn
Admired as well as overlooked beauty
Contributions to Architecture and Urbanism of Historicism, Art Nouveau, Early Modern and Traditionalism
The international interdisciplinary PhD students conference on architecture, urbanism and architectural decoration of the 19th and early 20th centuries aims to acquaint candidates withthe latest results, reflections, methodological approaches and new findings of current arthistory doctoral students and their colleagues from related disciplines, such as the monumentpreservation. For the balance and enrichment of the discourse any posts either fromthe modernist perspective or the ones based on traditionalist attitude would be highlywelcomed.
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Duesseldorf
Kolloquium - Geistesgeschichte
You were not expected to do this
On the Dynamics of Production (Distraction/Interference – Resistance/Accident)
The interdisciplinary and international conference "You were not expected to do this". On the Dynamics of Production focuses on the production processes and the interplay between notions of distraction and interference as well as their traces in different media objects. The conference program includes presentations on various topics connected to the research subject, including discussions on the role of distraction in the artistic production processes, the resistance of the material and the difficulties of tracing the dynamics of production in general. The conference is organized by members of the Post Graduate Program "Materiality and Production" (RTG 1678) of the Heinrich-Heine-Universität Düsseldorf and funded by the Deutsche Forschungsgemeinschaft (DFG).
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Beitragsaufruf - Epistemologie und Methoden
Louis Marin and the material condition
Art History Supplement, September 2014
This issue of Art History Supplement seeks to address issues regarding the work of French philosopher and art historian Louis Marin (1931 – 1992) and the material shift in art history. What do we actually mean by the study of material culture in history of art? One may support that the artefacts that are not considered art are part of the material culture. However, do we subsequently, if not intentionally, tend to separate the notions of art and material? Whilst, despite art being “mirror” or representation, it is primarily of a material nature.
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Paris | Maastricht
Beitragsaufruf - Studien zur Wissenschaft
International call for projects
Under the program NEARCH, two calls for proposals on the theme of art and archeology have just been launched. The aim of the NEARCH project is to explore and strengthen the relationships between European citizens with archeology, particularly through art projects. In this context, the CENTQUATRE in Paris and the JAN VAN EYCK ACADEMIE in Maastricht therefore invite artists from all disciplines who are interested in the link between art and archeology, to apply for residency in their buildings.
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Lissabon
Medieval manuscripts in motion
The 2nd edition of the International Conference "Medieval Europe in Motion" is already underway. It will take place in Lisbon, March 4-6, 2015. The conference's main scientific goal is, once more, to analyse the phenomenon of circulation, motion and mobility of people, forms and ideas during the Middle Ages. This time, however, the focus will be on the illuminated manuscripts. This three-day Conference aims thus to conduct a critical and constructive revision of research on Iberian Book Illumination in the Middle Ages, proposing new questions to be discussed.
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Teltsch
Stipendien, Preise und Stellenangebote - Geschichte
12 grants for M.A. and PhD. students will be provided for the attendance at the international conference "Circulation as a factor of cultural aggregation: relics, ideas and cities in the Middle Ages", held on 8-11 May 2014 in Telč, Czech Republic. The grant will cover the accomodation for the duration of the conference and the conference fees.
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Pistoia
Meyerbeer and French Grand opéra
Organized in conjunction with the 150° anniversary of the death of Giacomo Meyerbeer, this conference aims to celebrate this composer as well as the development of French Grand opéra after 1831 (the year of Robert le diable). Meyerbeer’s theatrical production system estabilished a Grand opéra model in France and abroad that promoted the reputationy of Parisian productions. The Meyerbeerian standard was assimilated particularly in Germany and Italy; but it also provoked severe criticism, sometimes related to extra-operatic issues such as the composer’s Jewish origin.
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Highways of the South: Latin American Art Networks
Special Issue of Artlas Bulletin
This Special Issue of Artlas Bulletin focuses on artistic circulation, exchange and networks in Latin American art history. We welcome papers on any phase of Latin American independence through the contemporary moment on art, architectural or design history.
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Toronto
Creating Characters, Inventing Lives: The Art of the Self I
IVth Conference of the International Network for Alternative Academia
International Network for Alternative Academia invites you to participate to the First International Symposium: Creating Characters, Inventing Lives: The Art of the Self, to be held on Tuesday 20th to Thursday 22nd of May, 2014, in Toronto, Ontario, Canada. This trans-disciplinary research project is interested in exploring the lessons we can derive from the creative process and identify how productive it is beyond the boundaries of the work and creation itself.
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Representations of the life of Leonardo da Vinci in motion pictures
Art History Supplement, May 2014
Taking the image of Leonardo da Vinci as a paradigm, this issue of Art History Supplement seeks papers that discuss the uses, and abuses, in the representations of the lives of Leonardo. The artist and the canonization, the commodification of the images of the artist and his oeuvre; the popularisation of Leonardo, or just making academic knowledge accessible to a public; as it seems happening in La vita di Leonardo da Vinci; combining fiction and documentary.
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