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• 15 aoû 2019

  Bogotá

  Call for papers - Ethnology, anthropology

  Music, Tradition and Creativity in the Digital Era

  New Ethnomusicological Perspectives From the Global South

  This Symposium will explore how digital media and new technologies have affected the ways through which musicians, producers and researchers experiment and engage with "traditional" musical forms, in Colombia and in other parts of the world. The participants are invited to share their research results and methodological experimentations in the field of applied ethnomusicology, music pedagogy, performance, digital audio production or digital humanities about the study of the impact of digital technologies about current musical practices. This Symposium will also include the presence of several local musicians and producers who will conduct workshops on "traditional" Colombian music and music from other countries of the global South.

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• 30 avr 2016

  Madrid

  Call for papers - Thought

  IV International Conference of Myth Criticism

  Myth and Emotions

  Along with rational logic there is an emotional logic, responsible for many actions that we carry out. Myth Criticism tends to tackle mythical stories from a structural, social and historical perspective. However, it often ignores the emotional component. It seems as if the affective dimension, particularly active in our contemporary society, is not considered relevant in the studies of mythology. The Conference will examine the function undertaken by emotions in the structure of mythical stories and in the processes of mythification of characters and historical events. The object of the study will focus on ancient, medieval and modern myths in contemporary literature and art (since 1900).

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• 04 sep 2015

  Medellín

  Call for papers - Language

  Rewriting: logic of repetition?

  III International Conference in Narratives

  The third International Conference in Narratives, organized by Universidad EAFIT (Medellín, Colombia) and Università degli Studi di Padova, proposes rewriting as an object of reflection from the arts, humanities, social sciences and communication sciences. To interrogate the gesture of writing a text again, it involves accounting for an operation that, in its apparent simplicity, shows the experience of time and repetition, the recording of memory, the tension between imitation and difference, and the means of reproduction and creation. Along its relationships, objects and notions that it implies, the gesture of rewriting is exemplary and heuristic; it has become a model for understanding various phenomena and cultural practices.

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• 26 sep 2013

  27 sep 2013

  Tarragona

  Conference, symposium - Modern

  Interdisciplinary strategies and collaborations

  This seminar is the first of a series of three talks which will take place in each of the cities explored. It offers a space for collaboration, reflection and exchanges where explorers, partners, associate members and other leading figures are invited to lend an outside perspective. It is an invitation both to reflect on the project itself and to promote a public discussion of its critical perspectives. For instance, what is “knowledge” for an artist, a researcher or an educator, and how is it constructed ? For what discourse and representations are artists, researchers in the humanities and educators responsible ? What research stance should be adopted to meet the challenges of interdisciplinarity and social space ? How do our disciplines of research, creation and social intervention revisit the historical motive for exploration and what relationship do they have with it ?

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• 31 jui 2013

  Barcelona

  Call for papers - Representation

  First International Symposium on Primitivism

  The First International Symposium on Primitivism aims to shed new light on a debate that has been given little attention in the field of Humanities, and which focuses on the relationship between Art and the Primitive. The disciplinary foundation of these studies is in History and Art Theory. However, it is also necessarily interdisciplinary, to the extent that we are interested in understanding the aesthetic phenomena that constitute Western art, not only from the perspective of an artistic history, but also – and especially – from its imbrications with aesthetics, culture, society, and politics.

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