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• 15 jui 2016

  Brema

  Convocatoria de ponencias - Época contemporánea

  Intersections of Art, Science, and Technology in Soviet Film and Culture

  By maintaining the tension between artists’ imaginative approaches to technology in the Soviet Union (Meyerhold’s Biomechanics), film directors’ use of science such as physiology (Eisenstein’s Expressive Movement), and scientists’ own theorization of art history (Lev Vygotsky’s The Psychology of Art), this workshop aims at unpacking the historical and political forces behind Soviet film theory, film practice, and art history in relation to science and technology. While examining the juncture between art, science, and technology in post-Revolutionary Russia, with a focus on the avant-garde period until the death of Joseph Stalin, cinema is thus considered as a device beyond its medium of film (Francois Albera, Maria Tortajada: Cinema Beyond Film) and the medium-specificity of the arts is called into question.

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• 23 oct 2009

  Brema

  Convocatoria de ponencias - Estudios políticos

  Perspectives on a European Social, Cultural, and Protest History of the 1980s

  On May 6th 1980, a group of new recruits was publicly sworn in with the German Bundeswehr in the Bremen soccer stadium. As a reaction, street battles of hitherto unknown dimensions between left-wing activists and (military) police took place in the area near the stadium. Since the conflicts surrounding the newly built nuclear power plant of Brokdorf a couple of years earlier, a certain "tradition" of militant mass protest had already existed. Yet with the so-called "Bremen Bundeswehr riots" for the first time protests of a comparable scale took place within a bigger city. Viewed in the following years as the beginning of the German autonomous movement, this inner city riot marked at the same time a European phenomenon.

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