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Ouro Preto
Figurations and Interlocutions: The Feminine Question in Walter Benjamin’s Oeuvre
Artefilosofia Journal
Even though he was a philosopher, not a poet, Walter Benjamin (1892-1940) thought poetically, says Hannah Arendt about his friend and life-long correspondent. In his oeuvre, the feminine appears through recurrent images whose meaning may vary according to the context, in different figurations and fictions. In agreement with these fictional figurations, one of his first essays presents the question of what a feminine culture or a feminine language would be (Metaphysik der Jugend, GS, II, I, 1977).
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Medellín
Rewriting: logic of repetition?
III International Conference in Narratives
The third International Conference in Narratives, organized by Universidad EAFIT (Medellín, Colombia) and Università degli Studi di Padova, proposes rewriting as an object of reflection from the arts, humanities, social sciences and communication sciences. To interrogate the gesture of writing a text again, it involves accounting for an operation that, in its apparent simplicity, shows the experience of time and repetition, the recording of memory, the tension between imitation and difference, and the means of reproduction and creation. Along its relationships, objects and notions that it implies, the gesture of rewriting is exemplary and heuristic; it has become a model for understanding various phenomena and cultural practices.
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Sao Paolo
I Screenwrite´s Stories Seminar. The new audiovisual paradigm
A primeira edição do Seminário Histórias de Roteiristas foi concebida dentro da filosofia do Projeto de Pesquisa “História de Roteiristas”, cuja investigação se desenvolve no escopo do cinema/teledramaturgia/audiovisual nacional. O eixo deste seminário é o tema Roteiro Audiovisual, um ponto por onde as reflexões sobre o audiovisual passarão obrigatoriamente.
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