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Ouro Preto
Figurations and Interlocutions: The Feminine Question in Walter Benjamin’s Oeuvre
Artefilosofia Journal
Even though he was a philosopher, not a poet, Walter Benjamin (1892-1940) thought poetically, says Hannah Arendt about his friend and life-long correspondent. In his oeuvre, the feminine appears through recurrent images whose meaning may vary according to the context, in different figurations and fictions. In agreement with these fictional figurations, one of his first essays presents the question of what a feminine culture or a feminine language would be (Metaphysik der Jugend, GS, II, I, 1977).
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Belo Horizonte
13th International Congress of Aesthetics – Brazil
13th International Congress of Aesthetics – Brazil
The 13th International Congress of Aesthetics – Brazil, entitled “Os fins da arte”, aims to highlight recurring themes in the history of philosophical aesthetics, elaborating the already constant ambiguity in its title, namely: “fins”. The term refers to the millenarian discussion about the uses of art in the past, present, and future. This takes on the important question about the autonomy of art and the regime of its heteronomy that not only asserted itself in its beginnings, but still imposes itself in the form of market demands tending to disfigure the original impetus of important aesthetic manifestations.
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