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• 05 mai 2019

  Oxford

  Chamada de trabalhos - História

  Music and Late Medieval European Court Cultures

  Late medieval European court cultures have traditionally been studied from a mono-disciplinary and national(ist) perspective. This has obscured much of the interplay of cultural performances that informed “courtly life”. Recent work by medievalists has routinely challenged this, but disciplinary boundaries remain strong. The MALMECC project therefore has been exploring late medieval court cultures and the role of sounds and music in courtly life across Europe in a transdisciplinary, team-based approach that brings together art history, general history, literary history, and music history. Team members explore the potential of transdisciplinary work by focusing on discrete subprojects within the chronological boundaries 1280-1450 linked to each other through shared research axes, e.g., the social condition of ecclesiastic(s at) courts, the transgenerational and transdynastic networks generated by genetic lineage and marriage, the performativity of courtly artefacts and physical as well as social spaces, and the social, linguistic and geographic mobility of court(ier)s.

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• 08 fév 2019

  Oxford

  Jornadas - Idade Média

  Avignon as Transcultural Hub

  A MALMECC study day considering a range of themes centering around cultural transfers and scientific knowledge in papal Avignon, providing fresh understanding through interdisciplinary discussion based on a series of short position papers.

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• 15 nov 2018

  Oxford

  Chamada de trabalhos - Representações

  The British, American and French Photobook: Commitment, Memory, Materiality and the Art Market (1900-2019)

  The Maison Française conference committee invites proposals on the social history of the British, American or French photobook from 1900 to the present. Papers will address: commitment or explicit political engagement; memory, commemoration and the writing of history; materiality (whether real or virtual), and how material form affects circulation, handling, critical responses and the social life of the photobook. We invite contributors to analyse these topics with respect to the growth of the market for the photobook as a commodity and an object of bibliophilic attention. Proposals focusing on contemporary productions are particularly welcome.

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