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  • Palermo

    Chamada de trabalhos - Antropologia

    Cinema and the City

    Interdisciplinary perspectives

    The conference aims to explore the relationships established between cinema and urban areas. We want to stress the connections woven between cities and cinema, films, fiction and documentaries – important unconventional sources for the understanding of social and cultural contexts. We intend to focus on the modalities used in films to tell stories – through images and speech – concerning cities, territories, and places, residents’ lives in relation to spaces, to buildings, to landscapes, as well as to its urban culture as a whole. The perspective we have chosen for this conference is interdisciplinary and cinema will be considered as a medium to be understood and interpreted in several, possibly comparative, ways.

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  • Palermo

    Chamada de trabalhos - Representações

    In/visible: representation, discourse, practices, “dispositifs”

    Interdisciplinary Graduate Conference

    How is the materiality of the visible world inscribed in its cultural representations? What are the more or less visible actors and mechanisms in the genesis of a cultural artefact? Should the visible / invisible binomial be considered as an anthropological constant or as the effect of a certain epistemological constellation? To what extent does visibility coincide with power and, therefore, how should one represent the in/visible? These are just some of the questions that cultural studies, in their innate interdisciplinarity and methodological heterogeneity can formulate with respect to the issue.

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  • Palermo

    Chamada de trabalhos - Antropologia

    Les espaces touristiques

    Entre pratiques et théories

    In our conference we intend to question the modalities according to which tourist spaces are lived, analyzed and interpreted. The interventions not only of anthropologists, semioticians and geographers, but also of other specialists, are particularly welcome to examine different tourist phenomena starting from the perspective of space. The fundamental principle upon which we wish to base our interrogation is founded on a precise anthropological conception of space. Besides being an abstract concept, in our perspective space constitutes an active element of cultural modeling: space is not a neutral container within which human actions are accomplished independently from its cultural shaping, but a real and true meaningful feature contributing to structure human actions and give them sense inside a society. If we follow this hypothesis, the reflection on tourist spaces takes on a particularly decisive role for many disciplines and for the definition of culture(s) in a more and more globalized world.

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