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  • Naples

    Call for papers - History

    Historiography of the Perception of Islam through Manuscripts, Korans and their Displacement

    The aim of this workshop is to approach the question of the relationship between Christianity and Islam through the study of the production, circulation and uses of Arabic manuscripts, and mainly Korans, in the late medieval and early modern Mediterranean Europe. Our assumption is that the Balkans, Italy and the Iberian Peninsula form an axis of circulation which is especially significant for our understanding of the Mediterranean Sea as a comprehensive space of cultural, political and religious contact.

     

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  • Naples

    Call for papers - History

    Mediterranean Europe(s)

    Images and ideas of Europe from the Mediterranean shores

    The aim of the conference is to shed new light on the place and the role of the Mediterranean in shaping images, ideas, and discourses about Europe from the eighteenth century onwards. 

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  • Amalfi | Sorrento

    Call for papers - Representation

    Travel and Sojourn in the Early Nineteenth Century

    Beyond Naples, toward Amalfi and Sorrento

    During the first half of the nineteenth century traveling and sojourning in Europe reflected a cultural climate marked by both resistance and enthusiasm. The conference is intended as well to cast light on the evolving changes in travel and sojourn in Naples and localities along the gulf during the first half of the nineteenth century, not failing to draw comparisons with other areas of Mediterranean Europe.

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  • Ischia

    Call for papers - Science studies

    Visualising Nature

    Making Images and the Production of Biological Knowledge from Early Modern Natural History to Contemporary Life Sciences

    The 2007 summer school will explore the relationship between making and knowing in the biological sciences as mediated by visual culture from the Renaissance to the modern day. We intend to focus on three interrelated themes. One theme concerns craft practices and the development of visualising technologies. The second theme concerns the historical relation between theory and image in the formation of scientific arguments.Third, there are the cognitive claims about reality that are made through images.

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