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Transatlantic Voices: The Literary Atlantic in Perspective
Cadernos de literatura comparada No. 40
One of the innovations in literary studies during the past few decades has been the increasing interest in aspects of the empirical universe that have been frequently approached in the literary universe. The triad, gender, race and class, or, to use more up-to-date theoretical terminology, sexualities, ethnicities, post-colonialisms and cultural studies, have long become commonplace in both theoretical works and others more focused on literary analysis and critique...We invite Literary and Cultural Studies researchers to submit papers within the scope of a Lusophone, Francophone, Hispanophone or Angolophone Literary Transatlantic
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Conference metalepsis
Metalepsis has been increasingly present in several artistic fields, by enhancing a self-reflexive porosity between narrative levels and by provoking a very special kind of ontological sliding. When Gérard Genette (1972) transferred this figure from the field of rhetoric to that of narratology, in order to describe the subversion of boundaries between narrative levels, or the non-distinction between the diegetic and extradiegetic worlds, he associated the disquieting nature of the metalepsis with the following “unacceptable and insistent” hypothesis: we, as recipients of a work structured by this narratological figure, may find ourselves in the (Borgesian) odd circumstance of noticing that the extradiagetic could already be the diegetic.
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Cadernos de literatura comparada #37
Issue 37 of Cadernos de Literatura Comparada, edited by Maria Clara Paulino, Maria Hermínia Laurel, and Teresa Oliveira, welcomes articles proposing historic, theoretical, or critical aspects of interdisciplinarity, or reflect on interdisciplinary practice.
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