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  • Paris

    Conference, symposium - Modern

    Maternal Sacrifice in Jewish Culture

    Rethinking Sacrifice from a Maternal Perspective in Religion, Art, and Culture

    Rethinking Nancy Jay’s opposition between sacrifice and childbirth in what she defines a “remedy for having been born of woman”, the conference aims to explore new approaches to the maternal sacrifice as a ritual, as a narrative, and as a metaphor in the context of Jewish culture.

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  • Oxford

    Call for papers - History

    Music and Late Medieval European Court Cultures

    Late medieval European court cultures have traditionally been studied from a mono-disciplinary and national(ist) perspective. This has obscured much of the interplay of cultural performances that informed “courtly life”. Recent work by medievalists has routinely challenged this, but disciplinary boundaries remain strong. The MALMECC project therefore has been exploring late medieval court cultures and the role of sounds and music in courtly life across Europe in a transdisciplinary, team-based approach that brings together art history, general history, literary history, and music history. Team members explore the potential of transdisciplinary work by focusing on discrete subprojects within the chronological boundaries 1280-1450 linked to each other through shared research axes, e.g., the social condition of ecclesiastic(s at) courts, the transgenerational and transdynastic networks generated by genetic lineage and marriage, the performativity of courtly artefacts and physical as well as social spaces, and the social, linguistic and geographic mobility of court(ier)s.

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  • Paris

    Conference, symposium - Representation

    Female artists in the classical age - illustration, painting, sculpture and engraving

    Comment ces artistes sont-elles désignées, et de quelle manière préfèrent-elles se nommer ? Le siècle hésite à se saisir d’expressions pour les qualifier. Quelles sont les conditions de travail et de vie de ces artistes ? De quelles façons apprennent-elles leur art, où peuvent-elles l’exercer et l’exposer, avec qui à leurs côtés ? Quelle est la réception de leur art dans les Salons et les journaux de l’époque, en France et en Europe ? En quelle réputation – nationale et internationale, bonne ou mauvaise – sont-elles ?

     

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  • Barcelona

    Call for papers - Middle Ages

    Medieval Women and the Arts

    Literacy, Education, and Visual Culture

    This event is conceived as a place of discussion and exchange for scholars, researchers, and postgraduate students who consecrate their work to the field of social, cultural, and intellectual history of women.

     

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  • Poitiers

    Study days - History

    The sacred and speech - vows in the Middle Ages

    The aim of this meeting is to work about sacrament and oath in the Middle Age. This event will allow to researchers of different relevances (litterature, philosophy, history, philology) to cross their studies.

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  • Amsterdam

    Conference, symposium - Modern

    City of Sin

    Representing the Urban Underbelly in the Nineteenth Century

    In conjunction with the exhibitions Easy Virtue: Prostitution in French Art, 1850-1910 (Van Gogh Museum) and Breitner: Girl in Kimono (Rijksmuseum), ESNA (European Society for Nineteenth-Century Art) organizes its annual two-day international conference around the topic of the “urban underbelly” and its depiction in nineteenth-century art. Both exhibitions explore the depiction of women in the margins of urban life – the prostitute, the model, working (class) women, and the women of the entertainment industry.

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  • Lisbon

    Call for papers - Representation

    Penetrable / Traversable / Habitable

    Exploring spatial environments by women artists in the 1960s and 1970s

    This conference aims to create a forum for discussing, in a cross-cultural perspective, spatial environments realized by women artists in the 1960s and 1970s. The heterogeneous qualities of these environments, their very diverse functioning, different aesthetic as well as cultural and political inscriptions, suggest the need to expand and rethink Pérez-Oramas´ distinction. In this sense and in the context of feminist art historical scholarship this conference seeks to encourage the articulation of new exploratory categories potentially capable of apprehending the works´ singularities as well as questioning the common threads that could connect them to other practices.

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  • Berne

    Call for papers - History

    The Office as an interior (1880-1960)

    The so-called “second industrial revolution” meant a significant growth in the tertiary sector (banks, insurance companies, etc.); at the same time new administrative bodies arose both in industry and at agencies and public authorities. This went hand in hand with a massive increase in the numbers of employees. The employee became the socio-professional figure of the urban modernity, whereas the professional woman became increasingly important. The symposium addresses the development of the office in order to analyse the interdependency between physical and social space, materiality and practices, strategies and tactics, structures and individuals. Likewise, it is intended to approach the office from a historical perspective, as attention is directed towards the significance of the office for structuring and transforming the sociocultural situation from the turn of the last century through the end of the 1950’s.

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  • Call for papers - Ethnology, anthropology

    Genders, Cultures and Citizenships

    6th International Symposium of CORPUS

    CORPUS Groupe international d’études culturelles sur le corps organisera les 10 et 11 novembre 2011 son sixième symposium à San Cristóbal de las Casas (Mexique) en association avec l'Université autonome du Chiapas (UNACH). Son thème sera « Genres, cultures et citoyennetés ».

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  • Cambridge

    Call for papers - History

    Art and Education from Antiquity to the Present Day

    The University of Cambridge Graduate Student Conference in History of Art will be held on the 12th and 13th of May 2011. The conference will cover the relationships between art and education over a wide geographical and chronological spectrum.

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