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Hammamet
Chamada de trabalhos - Epistemologia e métodos
ddh20 : Data and Digital Humanities 2020
The digital humanities offer a particularly rich research field of studies for data processing, apart from those of the hard sciences and the social sciences. Indeed, the humanities are rarely subject to privacy principles (privacy by design, GDPR…) that affect most social science works and are not just about digital or binary data. Moreover, in DH the data pre-exist and are most often already known if they are not collected and formalized. In this specific context, we propose in this track to question the practices resulting from the constitution of corpus and uses of data in humanities.
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Luxemburgo
Chamada de trabalhos - Pensamento
Maxim Kantor – The Future of Humanity
The goal of this international conference is to explore Kantor’s artistic work, his painting and writing, as a contribution he makes for the future of humanity. Kantor has been known as a Russian dissident and a fierce critic of the political development in the former Soviet Union, and his view of the current social, political, and spiritual situation of Europe is no less sharp. The scientific committee considers a strong analysis or a close reading of Kantor’s works as a major criterium in selecting the papers. As many writings are available only in Russian, the scientific committee strongly encourages scholars who are fluent in Russian to submit proposals that could make these texts available to a larger public.
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Chamada de trabalhos - Pensamento
Arts and cultural institutions: reflections on whiteness and racism
The journal PerCursos - Faed / Udesc will receive for analysis articles, reviews, interviews and translations of unpublished articles in Portuguese related to the theme of the dossier “Arts and cultural institutions: reflections on whiteness and racism”.
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Budapeste
Chamada de trabalhos - Sociologia
The Philosophical Journal of Conflict and Violence is seeking articles dealing with philosophical issues that arise in connection with the depiction of violence in film and television. Violence, real or threatened, drives the plots of many, if not most, of the narratives we watch on the screen. Detectives solve grisly murders, victims seek revenge, teenagers flee slashers, gangsters spray bullets, Kungfu fighters trade punches, and armies clash on the battlefield (or in outer space). While almost everyone claims to wants to reduce the levels of violence in society, movie audiences regularly get an enormous kick out of watching on the screen what we abhor in real life. But not all cinematic violence is meant to titillate. Often the aim is to bring audiences closer to the sickening reality of the mistreatment and abuse suffered by those whose plights might otherwise remain invisible to us. While many worry that exposure to cinematic violence may desensitize us, perhaps it can also serve to awaken our empathy.
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Turim
Rethinking the Baroque (XVII and XVIII centuries)
New historical and critical perspectives
The Fondazione 1563 per l'Arte e la Cultura della Compagnia di San Paolo invites scholars who are younger than 40, active in the disciplines of history, art history, architecture and literature and who hold a Ph.D., a certificate of specialization, a 2nd level master’s, or are enrolled in the second year of such study courses to apply to participate in the Summer School Rethinking the Baroque (XVII and XVIII centuries). New historical andcritical perspectives. The courses of the Summer School will all be taught in Italian. The participation in the Summer School is free.
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Lisbon
Chamada de trabalhos - Pensamento
Campos de colaboração nas práticas artísticas contemporâneas
Poderá toda a arte ser considerada colaborativa? O que terá motivado tantos artistas, nas últimas décadas, a se organizarem em coletivos ou a participarem em projetos colaborativos? Terá a colaboração nas artes um papel preponderante na redefinição do campo artístico e na produção de novas subjetividades? De que modo as práticas artísticas colaborativas vêm questionar o mito do génio criativo e do artista individual?
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Oxford
Chamada de trabalhos - Idade Média
Women and violence in the Late Medieval Mediterranean, ca. 1100-1500
A two-days conference in Oxford exploring the assumptions linking violence and femininity in the late medieval mediterranean (Byzantium, Western Europe, Islamic world).
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Santiago de Compostela
A era do espaço. Estado e novas perspectivas
Os próximos dias 8, 9 e 10 de abril ir-se-á na Universidade de Santiago de Compostela a conferência internacional "A era do espaço. Estado e novas perspectivas", onde se reunirão pesquisadores de todo o mundo para debaterem sobre o spatial turn das humanidades na segunda metade do século passado. Este evento interdisciplinar reunirá geógrafos, filólogos, historiadores, filósofos e outras disciplinas relacionadas para rever o estado atual das spatial humanities, partilhar diferentes abordagens e métodos de pesquisa e debater sobre o seu futuro.
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Princeton-Weimar Summer School for Media Studies 2019
The 2019 session of the Princeton-Weimar Summer School for Media Studies will be devoted to the question what happens to concepts derived from cultural techniques – like writing, erasure, image, number, not to mention the concept of culture itself – when implemented by algorithmic routines that run on computers or mobile media and thus effectively become digitized cultural technologies.The 2019 Princeton-Weimar Summer School for Media Studies will attempt to map out approaches to media as networks of cultural technologies. We invite applications from outstanding doctoral students throughout the world in media studies and related fields such as film studies, literary studies, philosophy, art history, architecture, sociology, politics, the history of science and visual culture.
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Santiago de Compostela
Chamada de trabalhos - Representações
A época do espaço. Estado e novas perspetivas
Ao longo da segunda metade do século XX, houve uma reorientação do olhar humano e do interesse científico, o que aconteceu para observar e serem observado mais no espaço do que no tempo, como aconteceu anteriormente. En los últimos años, ha crecido enormemente el interés por el estudio de las creaciones artísticas, especialmente literarias, poniendo el foco en la simbología o la relevancia de los lugares. El crecimiento de disciplinas como las mencionadas puede ser percibido a través de su contacto con otras disciplinas emergentes, como las humanidades digitales, también de reciente aparición. La simbiosis entre ellas ha dado lugar a las humanidades espaciales o al deep mapping, entre otras. Cómo han evolucionado estas teorías en los últimos años, qué ha cambiado en nuestra concepción del término o cómo vivimos o nos relacionamos con el territorio?
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Huddersfield
Chamada de trabalhos - Pensamento
Music and Democracy: beyond Metaphors and Idealization
This study day aims to interrogate the experimental and novel socialities, imagined communities and social and institutional conditions summoned into being by 'democratic' forms of music-making: What is the nature of a 'democratic ideal' in music (or art-making more widely)? What is achieved, politically, by rethinking the way in which music is made? When does such rethinking affect the wider domain of social relations, and when does it not? If democratic music-making can help with the wider democratisation of social life, how does it do so? When and how is ‘democratic' music more than just a metaphor?
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Bruxelas
Chamada de trabalhos - Representações
Masterclass with Reindert Falkenburg and Michel Weemans
This masterclass will gather up to eight young researchers (PhD students, postdocs, young lecturers) coming from various disciplines (art history, literature, history…) who will have the opportunity to present and discuss their work on the visual art and culture at the time of Pieter Bruegel the Elder and his predecessors with both respondents and the audience.
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Saint-Omer
Chamada de trabalhos - História
Les échanges humanistes dans les provinces du Nord pendant la Renaissance
Premier colloque international de Saint-Omer
Le colloque international de Saint-Omer est organisé conjointement par le Centre de Recherche et d’Études Histoire et Sociétés (EA 4027 CREHS - université d’Artois), et la Communauté d’Agglomération du Pays de Saint-Omer (CAPSO) représentée par sa Bibliothèque et son Université Populaire. Ce colloque s’inscrit dans le cadre du programme de recherche pluridisciplinaire : La Renaissance dans les Provinces du Nord, coordonné depuis 2015 par Charles GiryDeloison et Laurence Baudoux, et dans la continuité des journées d’études annuelles organisées au sein de ce programme à l’université d’Artois. En ce sens, le propos de cette rencontre est d’interroger les diverses manifestations de la Renaissance dans les Anciens Pays Bas aux XVIème et XVIIème siècles, touchant les principaux champs des humanités (philosophie, lettres et arts), et en se concentrant plus particulièrement sur les échanges, rencontres et associations entre les différents acteurs de cette renaissance culturelle.
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Paris
Femmes artistes à l’âge classique (arts du dessin, peinture, sculpture, gravure)
Comment ces artistes sont-elles désignées, et de quelle manière préfèrent-elles se nommer ? Le siècle hésite à se saisir d’expressions pour les qualifier. Quelles sont les conditions de travail et de vie de ces artistes ? De quelles façons apprennent-elles leur art, où peuvent-elles l’exercer et l’exposer, avec qui à leurs côtés ? Quelle est la réception de leur art dans les Salons et les journaux de l’époque, en France et en Europe ? En quelle réputation – nationale et internationale, bonne ou mauvaise – sont-elles ?
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Chamada de trabalhos - Pensamento
ArteFilosofia journal
In recent years, Hans Ulrich Gumbrecht has dedicated his attention to a description of the broad present – the temporality that characterizes our time, which he conceives as a space marked by a twofold reduction of the “space of experience” and the “horizon of expectations.” This temporal experience specific to contemporaneity has intensified a suspension, as it were, of entities around us, which entails a tendency to, on the one hand, repetition of more sedimented experiences and, on the other, virtualization and consumerism. Along with suspension, however, one also observes a certain tendency of placing sensibility, indeed, the body, in a fundamental place.
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Coventry
Chamada de trabalhos - História
“Bites Here and There”: Literal and Metaphorical Cannibalism across Disciplines
“Bites Here and There”: Literal and Metaphorical Cannibalism across Disciplines est une conférence qui aura lieu sur le campus de l'université de Warwick, en Angleterre, le 17 novembre 2018. L'anthropophagie a fasciné l'homme depuis l'antiquité, que ce soit en littérature, histoire, archéologie ou sciences sociales. De ce fait, cet appel a contribution invite chercheurs de toutes disciplines à envoyer un abstrait (en anglais) au sujet du cannibalisme litéral ou métaphorique pour le 17 juillet 2018.
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Chamada de trabalhos - Pensamento
What remains of postmodernity?
Since the 70s, the word postmodernity has articulated a tendency, a state of mind, and a condition that resists conceptualization or complete definition. Although the intellectual community has agreed to situate J. F. Lyotard and his key work, The Postmodern condition (1979), as the origin of the debate on this phenomenon, the truth is that the literary theorist Ihab Hassan had already used the word systematically in 1971. Since that date, the notion has spread across the fields of Literature, Architecture, Visual Arts, and the Social Sciences. These are two of the problems that one faces when approaching the surface of the postmodern phenomenon: its lack of definition and its ambiguous periodization.
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Estocolmo
Chamada de trabalhos - História
Branches of time. Thinking and representing History through the arboreal motif
International network for theory of history conference (INTH). “Place and displacement: The spacing of history” (Stockholm 2018)
We are pleased to announce that Trames Arborescentes is preparing a panel proposal for the International Network for Theory of History (INTH) conference that will take place in Stockholm on August 2018. “Place and Displacement: The Spacing of History” has been chosen as the main theme for the aforementioned meeting. Within this framework, Trames Arborescentes has decided to participate by proposing a panel that will gather several speakers around the subject “Branches of Time. Thinking and Representing History through the Arboreal Motif”.
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Barcelona
Chamada de trabalhos - Idade Média
Literacy, Education, and Visual Culture
This event is conceived as a place of discussion and exchange for scholars, researchers, and postgraduate students who consecrate their work to the field of social, cultural, and intellectual history of women.
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Scaling. What happens when we scale things up or down?
Princeton-Weimar Summer School for Media Studies 2018
The 2018 session will be devoted to the investigation of scale and scaling as operative concepts for the analysis of media. What happens when we scale? Does anything really change? Can scaling ever impact the inner blueprint of an object? Are there laws of scaling? Or does scaling resist any attempt at calculability, such that, to investigate it, we can only ever look at individual events of scaling? As a media practice, scaling is widely used. But, in contrast to the ubiquity of operations, scaling is hardly ever viewed on its own terms as a basic concept of media analysis. The Princeton-Weimar Summer School for Media Studies 2018 will attempt to map out approaches to scaling as a basic media-analytical tool.
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