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Helsinki
Moral Machines? Ethics and Politics of the Digital World
As our visible and invisible social reality is getting increasingly digitalized, the question of the ethical, moral and political consequences of digitalization is getting ever more pressing. All technologies mark their environment, but digital technologies do so much more intimately than any previous technologies since they promise to think in our place. But how do they really think? What happens when they are entrusted with moral decisions? Is a moral machine possible? Who is responsible of the social and political environments and situations digitalization creates? Should they be politically controlled and how? The conference Moral machines calls together scholars in philosophy, humanities, literature and art in order to discuss these pressing issues.
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E-learning 2.0 Technologies and Web Applications in Higher Education
This book will aim to provide relevant theoretical frameworks and the latest empirical research findings in the area. It will be written for professionals and academics who want to improve their understanding of the strategic role of E-learning at different levels of the information and knowledge society, that is, E-learning at the level of the global economy, of networks and organizations, of teams and work groups, of information systems and, finally, E-learning at the level of individuals as actors in the networked environments. -
Lyon
Conference, symposium - Epistemology and methodology
Web and Philosophy: why and what for?
PhiloWeb 2012
The advent of the Web is one of the defining technological events of the twentieth-first century, yet its impact on the fundamental questions of philosophy has not yet been widely explored, much less systematized. We hope to provoke the properly philosophical question of whether there is a consistent new branch or practice of philosophy that can weave these changes to technology and society into a coherent whole and have a real social impact. -
Volume! The French journal of popular music studies
Listening to popular music: practices, experiences, representations
L’auditeur est une entrée féconde pour l’analyse sociale, culturelle, esthétique ou encore politique des musiques populaires, qui permet de démultiplier les échelles d’analyse et d’entrer dans les détails les plus intimes de la relation esthétique et des pratiques signifiantes…
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