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  • Chamada de trabalhos - Época Moderna

    Logics, stakes and limits of cultural heritage transmission in Eurasia

    The thematic issue is about cultural heritage and patrimonialization. It aims at comparing the varying notions of “tradition” and “safeguarding of culture” within an empirical approach.We focus on conflicts about the creation of culture and how these globalised and specific contexts shape a changing self-perception of “ethnic identity” in Northern Asia, Central Asia and Eastern Europe.The articles may be on local as well as global expressions of cultural heritage: poetical genre, engraving or wood carving, architecture, ethno-parks or ecomuseums, cultural tourism, opposition to projects of valorization, etc. Analysis may also focus on the role of actors involved in local projects, on historical contexts or on international fashions.

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  • Paris

    Chamada de trabalhos - Antropologia

    Identités désirées

    Métamorphoses et nouvelles technologies au Japon

    Au Japon le phénomène estampillé kyara-ka – « se transformer en personnage » – donne maintenant naissance à ce que Nozawa Shunsuke (2013) nomme « un art émergent de l’auto-modélisation ». Basé sur des techniques de déguisement élaborées, le phénomène kyara-ka recouvre une grande variété de stratégies et de pratiques liées à la présentation de soi : cosplay, kigurumi, V-tubing, banques de voix synthétiques, utilisation de filtres vocaux-graphiques pour mettre en ligne des vidéos où les humains ressemblent à des personnages… En explorant les différentes manifestations de ce processus social de « chosification de l’humain », le colloque entend questionner les raisons pour lesquelles un nombre croissant de personnes se customisent en personnages. L’objectif du colloque est de traiter dans leur complexité les questions que soulèvent ces actes volontaires, et peut-être ironiques, d’oblitération. Quel est le profil de ces hommes et ces femmes qui se métamorphosent en créatures produites par infographie ? Comment vivent-ils le fait d’être aimés non pas pour eux-mêmes mais pour leur alter-ego numérique ? Quels récits, petits ou grands, accompagnent la production de ces doubles fictifs ? Est-il toujours pertinent d’analyser le phénomène en termes d’authenticity (original) ou d’artificialité (copie) ? Quelles négociations, quels refus sous-tendent l’usage des personnages comme masques sociaux ?

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  • Chamada de trabalhos - Ásia

    Sinophone musical worlds and their publics

    China Perspectives / Perspectives Chinoises

    Recent success of Chinese reality television singing competitions broadcasted on national television or streamed directly on the internet, has shown the extent of musical genres represented in the Chinese world, from pop to folk via hip-hop or rock ’n’ roll. The popularity of new musical styles up to then considered as deviant as well as the recent attempts of the State to intervene directly on musical contents, tend to blur the distinctions between “mainstream” (流行) music, “popular” (民间) music as non-official, “underground” (地下) music or even “alternative” (另类) music. This call for papers aims at promoting a better understanding of the transformations of Chinese “musical worlds”, in the sense that Becker gave to “art worlds”, which stresses the role of cooperation and interactions between the different actors of the artistic sphere.

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  • Paris

    Jornadas - Ásia

    La vie des objets en Chine

    Over the last twenty years, material culture studies have occupied a growing place in the social sciences. How does this growing interest in objects and material culture reveal itself in Chinese studies? Choosing from different disciplines and different periods, this AFEC workshop aims to examine how to approach objects in the humanities and social sciences—from everyday objects to natural objects, consumer goods, technical or scientific instruments, objects of study or devotion, or ritual objects and works of art. By bringing together specialists from different fields (history, art history, archaeology, technology, anthropology, literature, sociology, etc.), the workshop explores the life, trajectory and the possible metamorphoses of the value, status and function of objects, as well as the relationships these artefacts have with individuals—raising in addition questions of their social uses—by focusing on their religious, symbolic, political, economic, emotional or memorial dimensions.

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  • Bath

    Curso de verão - Ásia

    Pursuing a career in Chinese art in the United Kingdom

    This afternoon event in Bath (United Kingdom) is aimed at postgraduate students and early career academics interested in Chinese art, whether as a career or as a source for their research. The afternoon will start with a visit to the Museum of East Asian Art Bath. Then three leading professionals in Chinese art in the United Kingdom will give a talk and questions/answers. A workshop will then invite participants to reflect on and prepare for a career related to the arts of China.

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  • Sheffield

    Colóquio - Ásia

    New research on the History of Chinese gardens and landscapes

    Organised by Dr Jan Woudstra in conjunction with the Gardens Trust, the event will look at new discoveries in the field from both professionals and post-graduate students from around the world. Dr Alison Hardie will introduce the conference and outline the importance that Maggie Keswick’s 1978 book The Chinese Garden, History Art and Architecture has played in the subject. It is a unique opportunity to hear speakers from UK and International institutions to present their new research in the field. Talks will cover subjects as wide-ranging as Jesuit water landscapes, gardens as museums, Feng Shui symbolism and botanical watercolours.

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  • Bruxelas

    Bolsa de estudo, prémios e ofertas de emprego - Antropologia

    PhD position in Chinese studies and cultural studies

    This project will explore how young Chinese cosplayers engage with the public at large to express new identities in spaces that are heavily regulated by social and political censoring mechanisms. On the one hand, this doctoral research will explore the structural organisation of Chinese cosplay (associations, conventions); on the other hand, it will look into specific bodily performances in public spaces.

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  • Berlim

    Colóquio - Representações

    Art History for Artists: Interactions Between Scholarly Discourse and Artistic Practice in the 19th Century

    The development of art history as a discipline during the 19th century has been variously associated with the politics of national identity, the needs of a growing bourgeois public in search of cultural capital, or of an expanding art market. However, the role of art training, and art practitioners themselves in the shaping of the discipline remains unexamined. Courses in art history had been systematically introduced in the curricula of art and architecture academies since the late 18th century, and spaces of art education count among the first institutional homes of the discipline, well before the establishment of autonomous university chairs. This conference aims to explore the interactions and productive tensions between art practice and art scholarship in the 19th century. 

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  • Lausana

    Chamada de trabalhos - História

    The Smaller European Powers and China in the Cold War, 1949-1989

    This international conference aims to examine the policies of the smaller European powers towards China – and vice versa – during the Cold War. Thereby it focuses, on the European side, on both Western and Eastern Europe – regardless of whether a country was part of the NATO or the Warsaw Pact. Meanwhile, on the Chinese side, the conference proposes to include both Chinas, namely the People’s Republic of China (PRC) and the Republic of China (RoC). While this should allow for the analysis of different relational constellations, the chronological framework – that ranges from the Communist victory in China in 1949 to the fall of the Berlin Wall and the Tiananmen Square uprising in 1989 – should enable us to identify policy shifts and patterns.

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  • Pequim

    Chamada de trabalhos - Ásia

    Creative Misunderstanding

    34th World Congress of Art History – Session 15

    In the spirit of the Section’s proposal we can read: "The focus here is on misunderstanding and misinterpretation in the history of art. It intends to further study the problem of the reception of foreign, heterodox and non-traditional cultures." Everybody knows the 19th century misinterpretation of the cloud and fog representation in the Chinese landscape painting as early impressionistic sign of atmosphere. Another example of a (tragic) mistake from the 20th century is the destruction of the Montecassino abbey by an American bomber because of a misunderstood verbal instruction. (The American decoder thinks the German word "Abt" (abbey) for the abbreviation of German "Abteilung" (military department).) However, our understanding of the Section title is based on the confrontation of the two concept creativity and misunderstanding.

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  • Sheffield

    Colóquio - Ásia

    New approaches in Chinese garden history

    In honour of Dr Alison Hardie's retirement

    Une conférence explorant les nouveaux développements de la recherche en histoire des jardins chinois, en l'honneur du départ à la retraite de Dr. Alison Hardie.

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  • Paris

    Jornadas - História

    Common Experiences, Common Desires ? Tracing an Intellectual History between China and Africa

    Conférence ANR Espaces de la culture chinoise en Afrique (EsCA)

    In his 1954 presentation to dignitaries from across Asia and Africa, Chinese Premier Zhou Enlai acknowledged the differences between the two cultural spheres; nevertheless, Zhou stressed, a more important factor in all future relations should be the “common experiences and desires” of people from across the two continents to create a new world from the ashes of war and colonialism. Building on Zhou’s insight into commonalities of experience, this presentation will trace the cultural intersections that have existed between China and African since the 1920s.

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  • Taipé

    Jornadas - Ásia

    The Geopolitics of Film and Entertainment Industries Across the Taiwan Strait

    Franco-Taiwanese Workshop

    The Taipei office of the HK-based French Center for the Study of Contemporary China (CEFC, http://www.cefc.com.hk/rubrique.php?id=73) is inviting you to join a limited number of researchers in freely exchanging ideas about Cross-Taiwan Strait cinema and entertainment industries in a geopolitical perspective.

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  • Lisbon

    Colóquio - Representações

    Face to Face. The transcendence of the arts in China and beyond

    Our goals for the conference are to raise awareness of the artistic exchange and mutual influences between the Han Chinese arts and the arts from different cultural backgrounds in China itself, as well as beyond its geographical and cultural boundaries. We also aim to go through the issues on the construction of artistic identity and the balance between permeability and hegemony, tradition and innovation, convenience and misinterpretation.

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  • Tóquio

    Colóquio - Ásia

    Keisai (1764-1824) et l'art du livre illustré

    D'Edo à Paris

    Symposium public en japonais sans traduction, à l'occasion de la publication des Dessins abrégés de Keisai (INHA, éd. Picquier, 2011).

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  • Paris

    Colóquio - Ásia

    Dynamiques aux frontières de la Chine, XVIIIe-XXIe siècle

    Colloque organisée par Élisabeth Allès (CECMC, CNRS-EHESS), Sébastien Colin (ASIEs, INALCO) et Sylvie Pasquet (CECMC, CNRS-EHESS). L’objectif de ce colloque est de présenter les stratégies politiques et économiques, passées et contemporaines, de la Chine en direction de ses régions frontalières et de ses voisins, ainsi que de mieux comprendre les mutations socio-spatiales et économiques que ces stratégies engendrent sur les territoires (urbanisation, migrations, tourisme, développement du commerce frontalier, présences chinoises dans les pays voisins…). Il est aussi d’analyser la situation des populations frontalières dans leur diversité. Sans pour autant les contredire, elles ne subissent pas passivement les stratégies venues d’en haut. Il s’agira d’examiner la manière dont les populations vivent cette situation et utilisent les frontières au mieux de leurs intérêts.

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  • Paris

    Colóquio - História

    Lectures et usages de la Grande Étude : Chine, Corée, Japon

    Colloque international organisé par la chaire d’Histoire intellectuelle de la Chine du Collège de France. La Grande Étude est un petit texte qui a connu un large et long destin non seulement en Chine, mais aussi au-delà, notamment en Corée et au Japon où il a donné lieu à des développements considérables. Ce sont les multiples interprétations, utilisations, instrumentalisations et reconstructions de ce texte devenu canonique qui font l’objet du présent colloque réunissant des spécialistes internationaux de disciplines et de domaines très divers. / The core idea of this conference is to look into different modes of interpretation and implementation (philosophical, political, religious, etc) of the Great Learning in various historical and cultural contexts, in China, Korea and Japan, including the most contemporary aspects related to the “Confucian revival” of the past decades.

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  • Lyon

    Colóquio - Ásia

    History in images, History through images

    The main theme of the present workshop is “Entertainment, Media and the Public Space” as documented in photographs and other pictorial images. As for previous meetings, participants are expected to work with photographic collections or others visual materials, and namely :- to take visual materials as the core material source of the presentation- to make an innovative use of a set of visual documents- to explore how visual materials may bring/allow a new perspective or approach or questioning on a given topic- to discuss the methodological implications/challenges in the use of visual materials.

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