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  • Convocatoria de ponencias - Representaciones

    Global Art Market in the Aftermath of Covid-19

    The international scholarly open access journal Arts (ISSN 2076-0752) invites submissions for the Special Issue (to be published in 2021) on the topic of “Global Art Market in the Aftermath of Covid-19.” Original academic papers should answer the following research question: How has Covid-19 affected the global art market? We welcome both theoretical and empirical contributions that reveal various economic, social, and political consequences of the Covid-19 pandemic for the current state and future evolution of the global art market.

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  • Bruselas

    Convocatoria de ponencias - Etnología, antropología

    House/Keeping

    Domestic accumulation, decluttering, and the stuff of kinship in anthropological perspective

    We invite submissions of abstracts considering the following sorts of questions: What is the relationship between storage and the labor of kinship? What kinds of possessions are sources of obligation? Which are experienced as social or animate beings? What social practices and spatial processes surround waste, excess, and the riddance of objects from the home? How might local ethnographic concepts like hau orbrol inform the anthropological understanding of attachment to possessions, recycling, or the circulation of second-hand objects? When is accumulation a valued social practice, and when is it morally suspect? How is the space of storage constructed in relationship to the social space of the home, and how might this reflect on the local category of stored things? We invite authors to consider how practices such as storage, stockpiling, and purging of belongings can be approached anthropologically in order to provide both nuanced ethnographic depth and broader cross-cultural and historical perspective. Interdisciplinary perspectives are also welcome.

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  • Convocatoria de ponencias - Época contemporánea

    Intersections between the system of production and the cultural system

    FORMA has gone out with a new call for papers for an introductory issue in what will be a five year project exploring the intersection between the system of production and the cultural system. Accepting papers that investigate this subject from a wide array of perspectives, from biopolitics and bioethics, to technology, ecology, education, (geo)political conflicts, and more, this aims to be an interdisciplinary, comparative issue with a focus on the humanities understood broadly. 

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  • Huddersfield

    Jornada de estudio - Historia

    Music and Political Democratisation in Late Twentieth Century

    This event aims to innovatively question how musical practices formed ways of imagining democracy in the democratic transitions that took place after Portugal’s ‘Carnation Revolution’ in 1974 – what Huntington (1991) called the ‘third wave’ of democratisation, which involves more than 60 countries throughout Europe, Latin America, Asia, and Africa. Rather than studying music’s diverse deployments within these political contexts (music ‘in’ transitions to democracy), these study days place the emphasis upon ways in which music embodies democratisation processes and participates in the wider social struggle to define freedom and equality for the post-authoritarian era (hence the ‘and’ in the title of the event).

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  • Chicago

    Convocatoria de ponencias - Época contemporánea

    European and global responses to the concept of “literary engagement” between 1945 and 1968

    ACLA 2020 panel

    The question of “engagement” (or commitment) became one of the defining elements of post-WWII literature and was, for a long period, at the center of the discussions about the relationship between aesthetics and politics in several European countries. Commonly associated with the name of Jean-Paul Sartre, the success of the notion of “committed literature,” however, went well beyond the French national space. This panel focuses on the transnational circulation of the concept of “committed literature” and, more broadly, on the circulation of related notions, such as writers’ “responsibility,” as well as on any type of counter-discourse or counter-theory targeting “committed literature.”  We would like to explore the different degrees of transnational propagation and dissemination of these debates both in regions that absorbed the intellectual debates taking place in France and in the case of countries which remained more impermeable to them. 

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  • Porto Alegre

    Convocatoria de ponencias - Época contemporánea

    Memory of Migrations and Diasporas / Family Memories of Mass Violence and Slavery

    International Sociological Association forum of sociology 2020

    For the IVth ISA (International Sociological Association) Forum that will take place in Porto Alegre, Brazil, we organize two sessions with the Research Committee Historical Sociology. We would like to welcome contributors from a wide variety of research fields in order to discuss issues related to social, cultural and collective memory. One of the sessions will focus on migrations and diasporic experiences, in particular on family memories. The second session is about intergenerational transmission in families in contexts of mass violence, slavery or war.

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  • Bogotá

    Convocatoria de ponencias - Etnología, antropología

    Música, tradición y creatividad en la era digital

    Nuevas perspectivas etnomusicológicas desde el Sur Global

    Este simposio explorará cómo los medios digitales y las nuevas tecnologías han afectado las dinámicas a través de las cuales los músicos, productores e investigadores experimentan y se involucran con formas musicales “tradicionales”, en Colombia y en otras partes del mundo. Los participantes están invitados a compartir sus resultados de investigación y sus experimentaciones metodológicas en el campo de la etnomusicología aplicada, de la pedagogía musical, de la interpretación, de la producción audionumérica o de las humanidades digitales a partir del estudio del impacto de las tecnologías numéricas sobre prácticas musicales actuales. Este simposio contará también con la presencia de varios músicos y productores locales que presentarán talleres prácticos y conversatorios sobre músicas “tradicionales” colombianas y de otros países del sur global.

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  • Convocatoria de ponencias - Américas

    Romero: Memory

    Activating Heritage of International Solidarity

    Romero: Memory. Activating Heritage of International Solidarity ((KU Leuven, 4-10 November 2019) is a one-week multidisciplinary academy for scholars, activists, writers, journalists, etc. centered around the legacy of the Salvadoran archbishop Oscar Romero (1917-1980), his significance for the solidarity movement with El Salvador and Latin America and his impact and imprint on the works, actions and ideas of people, communities and societies in the present as well as in the past.

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  • La Haya

    Coloquio - Época contemporánea

    Frictions and friendships

    Cultural encounters in the nineteenth century

    The exhibition The Dutch in Paris, which was on show in the Van Gogh Museum, Amsterdam and in the Petit Palais, Paris during the fall of 2017 and spring of 2018 respectively, aimed to visualize the artistic exchange between Dutch and French artists between 1789 and 1914. As part of a larger research project, set up by the RKD – Netherlands Institute for Art History, the exhibition generated so much response that ESNA, in collaboration with the RKD and NWO, decided to organize an international conference on the subject, focusing specifically on international as well as national and local points of encounter and how they facilitated artistic exchange.

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  • Huddersfield

    Convocatoria de ponencias - Historia

    Arts and Models of Democracy in post-authoritarian Iberian Peninsula

    This two-day conference aims to innovatively question how artistic practices and institutions formed ways of imagining democracy and by what means arts and culture participate in the wider social struggle to define freedom and equality for the post-Estado Novo and post-Francoist period: how did artistic practices instantiate ideas of democracy in this context? Inversely, how did such democratic values inform artistic practice? How did Portuguese and Spanish artists and intellectuals negotiate between creative autonomy and social responsibility? And more broadly, what is the role of culture in a democracy? The core purpose of the conference is to bring scholars together from different subject areas and exploring any artistic practice (literature, visual and plastic arts, cinema and music).

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  • Bruselas

    Convocatoria de ponencias - Etnología, antropología

    Home Away From Home

    Seminar HOME II

    Après avoir exploré la relation du sujet aux lieux d’origine dans les narrations contemporaines au cours d’un premier cycle de conférences Home: Heaven and Hell, HOME pousse cette fois l’enquête du côté de la reconstruction d’un imaginaire domestique. Quel est ce nouveau foyer qui suit l’errance, l’exil ou la migration ? Portant cette fois le titre Home Away From Home, ce deuxième cycle de séminaires souhaite interroger les représentations littéraires et artistiques contemporaines des espaces adoptés afin de comprendre comment ceux-ci se construisent en interaction avec un sujet qui voit aboutir sa quête d’un territoire.

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  • Nantes

    Convocatoria de ponencias - Américas

    Une discipline indisciplinée: défis à venir pour les études des cultures populaires

    This call for paper is for a workshop which it itself included in this year's international symposium of the AFEA (Franch Association of American Studies) which will happen in Nantes, France from May 22 nd to the 24th. This year's main theme of the conference is "discipline/indiscipline." (event for which you can find more information here: http://www.afea.fr/-2019-AFEA-Conference-Discplines-Indiscipline-.html) This workshop intends to address and explore further this binary dichotomy through the prism of cultural studies, interrogating more precisely if the emergence of pop cultural studies is truly something to advocate for. Communications can tackle this issue from a more theoretical standpoint, but they can also deal with more precise case studies which would illustrate how pop culture and cultural studies are both defying disciplinary classifications. Communications can be either in French or in English.

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  • Bucarest

    Convocatoria de ponencias - Estudios políticos

    Transnational dimensions of dealing with the past in ‘Third Wave’ democracies

    Southern Europe, Central Eastern Europe, and the Former Soviet Union in Global Perspective

    This conference aims to fill the gap by looking at how post-dictatorial justice and memory experiences in Southern Europe, Central Eastern Europe, and the former Soviet Union after the “third wave of democratization” have reciprocally affected each other. It also seeks to unpack how memorialization practices in these regions were shaped by and influenced in turn criminalization discourses in other geographical contexts (Latin America, Asia, Africa). The conference focuses on transnational activism, transfers of knowledge, and expertise at bilateral, regional or international levels, the impact of legal and mnemonic narratives outside their countries of origin, and the role of international organizations and NGO's in dealing with mass violence. The conference aims thus to trace the mutlidirectional circulation of ideas, norms and models of reckoning with authoritarian regimes both within these regions, and between them and other areas of the world.

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  • Oxford

    Convocatoria de ponencias - Época contemporánea

    Race, Gender and Technology in Science-Fiction

    The Maison Française conference committee invites proposals that examine the themes of race, gender and technology in science-fiction from the classical period to the present, in all media (print, film, television…) and from any continent.

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  • Nanterre

    Convocatoria de ponencias - Europa

    English journeys past and present, explorations of the condition of England

    The conference will address the following hypothesis: the illustration of a certain  way of being English, of a specific English way of inhabiting and making sense of the world, were given definition and cultural force through a series of writings which record the impressions of things seen in the course of a journey dedicated to the exploration of a territory, whether the land of England  in its national extension or the more local territory of a particular community. The organizers are calling for papers which will examine a corpus of writing  proposing a first-person observations of a condition of England at various moments in the history of a territory. 

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  • Gijón

    Convocatoria de ponencias - Época contemporánea

    Scientific challenges in social feeding studies: conflicts over healthy diet

    III Spanish Congress of Sociology of Food

    The Third Spanish Conference on the Sociology of Food will take place in Gijón (Asturias) on the 27 and 28 September 2018. The event is part of the activities of the Research Committees (CI) of the Spanish Federation of Sociology (FES), which includes the Sociology of Food Research Committee. This group brings together researchers into food and eating at the intersection of health, culture, consumption, policy, and agricultural systems.

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  • Londres

    Coloquio - Europa

    Stages of Utopia and Dissent, 50 years on...

    15 May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?

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  • Londres

    Convocatoria de ponencias - Representaciones

    Reaching/Outreaching

    TaPRA Theatre, Performance and Philosophy Research Event

    In On Being Included, Sara Ahmed argues that institutional commitments to diversity may be considered “non-performatives”: they do not bring about what they name. Institutions run diversity workshops and committees, outreach programmes and ‘participatory’ or ‘inclusive’ agendas, but where does the gesture stop, and where does it begin? How may we understand the choreography and the dramaturgy of institutional outreaching? How can we begin to detour this language so as to rethink the role of the university – and of artistic practice – in public life today? Does the university have a role to play in public life, and what might that be? Does this equate with ‘outreach’? What is the relationship between artistic practice and what may be termed ‘creative research’?

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  • Ottawa

    Convocatoria de ponencias - Representaciones

    Machines et imaginaires musicaux (1900-1950)

    Cette journée d’étude propose de reconsidérer d’un point de vue historique, esthétique, analytique et socioculturel la place occupée par les machines dans les musiques de la première moitié du XXe siècle, époque de prolifération de la technologie de masse. 

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  • East London

    Convocatoria de ponencias - Representaciones

    Stages of Utopia and Dissent

    50 years on…

    15th May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?

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