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Ouro Preto
Figurations and Interlocutions: The Feminine Question in Walter Benjamin’s Oeuvre
Artefilosofia Journal
Even though he was a philosopher, not a poet, Walter Benjamin (1892-1940) thought poetically, says Hannah Arendt about his friend and life-long correspondent. In his oeuvre, the feminine appears through recurrent images whose meaning may vary according to the context, in different figurations and fictions. In agreement with these fictional figurations, one of his first essays presents the question of what a feminine culture or a feminine language would be (Metaphysik der Jugend, GS, II, I, 1977).
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Paris
Conference, symposium - Modern
Maternal Sacrifice in Jewish Culture
Rethinking Sacrifice from a Maternal Perspective in Religion, Art, and Culture
Rethinking Nancy Jay’s opposition between sacrifice and childbirth in what she defines a “remedy for having been born of woman”, the conference aims to explore new approaches to the maternal sacrifice as a ritual, as a narrative, and as a metaphor in the context of Jewish culture.
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Tempe
Conference, symposium - Early modern
Gendered Species: Colette, Gender and Sexual Identities
Espèces genrées : Colette, le genre et les identités sexuées
Although French woman writer Colette was indifferent to and even critical of the feminist movement of the early 1900s, in the way she lived her life as in her fiction, she exemplified financial and social independence and shame-free sexuality, or what would be call today “gender fluidity”. This international conference will show how Colette represents a vibrant and radical expression of feminism in tune with the #MeToo spirit in today's society
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La Rochelle
Women and popular cultures in the anglophone worlds: 1945-2015
This interdisciplinary conference addresses the issue of how, through popular culture and cultural industries, women have been involved in social, cultural, and economic sectors they were previously barred from and what means and channels they have used to invest and invent specific places, spaces, and cultural milieu from the middle of the 20thcentury to the present time.
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Poitiers
The sacred and speech - vows in the Middle Ages
The aim of this meeting is to work about sacrament and oath in the Middle Age. This event will allow to researchers of different relevances (litterature, philosophy, history, philology) to cross their studies.
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Tübingen
Scholarship, prize and job offer - History
Since rulers of the Imperial Roman Period and the Early Middle Ages occupied the highest (secular) position, individuals who exerted influence on them enjoyed a great extent of power. As a consequence, there was bitter rivalry between the various agents and much thinking about legitimate and illegitimate influence. These exercises and concepts of personal influence are the topic of a new Emmy-Noether junior research group, which is offering two PhD positions.
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Venice
Conference, symposium - Thought
Etty Hillesum. One hundred years later (1914-2014)
International Conference
Esther (Etty) Hillesum writings are a crucial historical document, as they report on the extreme evil of racial persecutions and life in lagers. They are a reflection on the value and the meaning of life, love and death. The International Conference “Etty Hillesum. Cento anni dopo (1914-2014)” (December 9-10, 2014, at Ca' Foscari University in Venice, Italy) aims to assess the works of this important witness from the 20th century.
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Montreal
Radical Action, Radical Subject: Roots, Representations, Symbols and Creations
Ce colloque vise à repenser et à mettre en relief deux concepts, à savoir l’action radicale et le sujet radical, qui sont liés aux formes de protestation et à la mobilisation de l’espace où se négocient et se créent du rassemblement ainsi que de l’opposition. Plus précisément, ils révèlent une ampleur qui mérite réflexions et échanges en termes de récit, de poétique et de symbolique. Ainsi, que peut nous révéler l’évolution à la fois diachronique et synchronique des liens qui se tissent entre littérature et radicalisme ? Est-ce que le radicalisme rime nécessairement avec l’engagement politique, l’affichage d’une tendance révolutionnaire marquée, ou est-ce que des marques textuelles, des mouvements, des courants, intrinsèquement littéraires, ne peuvent pas être considérés comme radicaux en soi ?
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