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  • London

    Call for papers - Middle Ages

    The Classics in the Pulpit. Ancient Literature and Preaching in the Middle Ages

    The aim of the conference is to shed new light on this both striking and irritating practice. Papers (25 min) can deal with topics such as the reasons and occasions for the use of the classics in preaching, the hermeneutic and literary strategies applied in order to adapt pagan mythology to homiletic needs, the social and educational background of preachers and their audiences, the connections of classicizing sermons with other fields of literature such as vernacular poetry, or the discourse they provoked within the clerical milieu. Applications from all relevant disciplines (e.g. history, literature, theology, philosophy) are welcome.

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  • Coimbra

    Call for papers - Middle Ages

    Making Sense of Latin Classics in the Middle Ages

    12th Celtic Conference in Classics (panel 11)

    The aim of this panel is to explore how medieval authors have dealt with the Classical heritage within their own cultural context. This enquiry could illustrate different degrees of exploitation of classical texts: from systematic excerption to scattered quotations naturalized in different frameworks, from the reshaping of biographies, political and philosophical treatises to the reuse of poetical patterns in order to convey new values. Making sense always implies a multiple perspective. The goal of this panel is to encourage the interaction between different points of view – historical, philological, literary, philosophical, scientific – in order to get a better understanding of the cultural background through which the Classics had to pass before reaching us.

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  • Paris

    Conference, symposium - Middle Ages

    Words

    Medieval Textuality and its material display

    The International Medieval Society organizes its 13th Annual Symposium in Paris, on the theme of Words in the Middle Ages. Between the increasing use of paperless media forms and the rise in the number of digital collections, medievalists are seeking to adapt to these new means of producing knowledge about the Middle Ages. At the same time, scholars in this field are also trying to outline the methodological and historical issues that affect the study of words, which now simultaneously exist in the form of primary sources, codices, rolls, charters and inscriptions, digitally reproduced images, and the statistical and lexicographical data made possible by storage platforms and analytical tools.

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  • Brno

    Call for papers - Representation

    Orient oder Rom?

    Prehistory, history and reception of a historiographical myth (1880Ð1930)

    Today the question “Orient oder Rom?” is no longer a topical issue in medieval art history, although a persuasive answer has never been formulated. One of the reasons for this oblivion deals with the controversial figure of Josef Strzygowski, who in 1901 published about the question his pivotal volume, nowadays discredited for its racial and proto-nazi judgement.However, the question “Orient oder Rom?” concerns not only with Josef Strzygowski: the prodromes of this critical concepts goes back to the nineteenth century, when the Russian, Austro-Hungarian and Ottoman empires fought to control territories. The conference aims to distance from the sole Strzygowski’s perspective and to comprehend and rewrite the story of a pivotal concept for both art historiography and cultural identity. 

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  • Barcelona

    Call for papers - Thought

    Senses and sensuality in the Middle Ages

    2nd ARDIT International Congress of Medievalists

    With a distinctly interdisciplinary intention, the 2nd ARDIT International Congress of Medievalists “Senses and sensuality in the Middle Ages” aims to give voice to innovative researches on multiple and corresponding fields, such as History, Philosophy, History of Art or Philology, among others. In this new researchers’ encounter we seek to open the door to the multiples insights and reflections about senses and sensuality in the Middle Ages, offering a wide range of aspects linked to the multiple narratives which this issue inspires: the ways of knowledge, sensory and spiritual pleasure, or artistic and literary forms which have captured the sensorial universe in the Middle Ages.

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  • Namur

    Conference, symposium - Middle Ages

    Archival Scribes in the Medieval West

    Training, Careers, Connections

    L’historiographie continue de nous dispenser une image assez figée des « scribes » médiévaux, qu’il s’agisse des moines à l’œuvre dans le silence du scriptorium, des notaires toujours au four et au moulin, des clercs de chancellerie produisant des actes à la chaîne dans des ruches d’écriture officielle... Quelle part de réalité dans ces images d’Épinal ? Il s’agit de se demander qui écrit au Moyen Âge, plus spécifiquement dans le domaine foisonnant et méconnu du document normatif ou pratique destiné à faire archive. Quels sont les profils de ces scriptores – scribes, scripteurs, écrivants, « scribouillards » de toutes espèces – au service des grands princes ou des petits seigneurs, des officiers de justice ou des cours foncières, des grands ordres monastiques ou d’humbles collégiales, des autorités urbaines ou des communautés villageoises ?

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