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Paris
Crossroads of Critique: Axel Honneth and the Frankfurt School Project
Sciences Po 7th Graduate Conference in Political Theory
We are happy to announce that the seventh annual Graduate Conference in Political Theory is going to be held in Paris on June 6-8, 2019, entitled Crossroads of Critique: Axel Honneth and the Frankfurt School Project. We welcome contributions from graduate students of political theory across the board and intend to accommodate various approaches (analytical, historical, normative, and critical) as well as contributions from related disciplines (philosophy, social theory, etc.). We also aim at geographic diversity, in that we shall try to foster a substantial academic dialogue between young political theorists from Europe and their peers across the world. Over recent years, the Sciences Po Graduate Conference has established itself as one of Europe’s foremost venues for an international exchange of ideas among graduate students in political theory.
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Paris
By all measures, Germany played an overwhelming role in the development of philology and linguistics during the 19th century. This ascendancy rests on the transmission to other national academies of theoretical constructs and views, methods and institutional practices. On the other hand, German philological and linguistic ideas, methods and institutions were not constituted in isolation from the rest of the world : Transfers to the German-speaking world must also be taken into account.
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Conference, symposium - History
A transatlantic dialogue
On the occasion of the launch of Picturing, the first volume of the Terra Foundation Essays, a new publication series exploring themes of critical importance to the history of arts and visual culture of the United States, the Deutsches Forum für Kunstgeschichte, Paris, and the Terra Foundation for American Art are jointly organizing a conference to further the transatlantic dialogue about what pictures are and what they do. This conference invites speakers to reflect on the differences and convergences between the intellectual traditions of visual studies and Bildwissenschaft. Are there ways to think about pictures anew by bringing these models more closely together? Does the move away from visuality towards the material offer possibilities for overcoming early differences between these two approaches?
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