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Conference at Hadrian's Villa
To mark the five hundredth anniversary of Leonardo da Vinci’s death, the “Istituto Autonomo Villa Adriana e Villa d’Este - Villae” (Tivoli, Rome) is organizing a conference with the theme of: “Leonardo and Antiquity”, at Hadrian’s Villa. At the dawn of the 16th century, Leonardo da Vinci visited Villa Adriana, then known as “old Tivoli”. The conference in preparation intends to explore ways in which this journey influenced Leonardo's genius, also in the context of the time period and work of Leonardo's contemporaries and/or disciples. In the company of internationally recognized keynote speakers, the conference welcomes the participation of both Italian and foreign researchers and scholars who answer this call for papers, as a major focus of the conference will be to place Leonardo's trip to Tivoli within a broader cultural context. The deadline for the paper proposals is fixed at January 25th, 2019.
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Lille
Call for papers - Early modern
Spaces and industrial landscapes - Zola and the social realities of his age
Le colloque sera international et interdisciplinaire. Le sujet est à interpréter de manière large, afin d’inclure des écrivains et artistes contemporains de Zola, des analyses génétiques, politico-historiques et sociologiques aussi bien que des études de l’œuvre de Zola. Les invités d’honneur seront Professeur Henri Mitterand, Madame Martine Le Blond Zola et Madame Monique Sicard. Parmi les activités proposées il y aura une exposition, une visite du Musée de la mine de Lewarde et une sortie sur les pas de Zola à Anzin.
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Rennes
The Spiritual: a Valid Category for the Humanities?
An interdisciplinary debate
Ce colloque se propose de tenter une théorisation de la notion de spirituel afin d'en faire une catégorie scientifique utilisable dans le champ des sciences humaines. Depuis le poststructuralisme, la théorie, notamment littéraire, est devenue experte en matière d'analyse et de remise en question du soubassement idéologique de tout discours. Toutefois, cette « herméneutique du soupçon » (Ricoeur, 1975) se trouve démunie lorsqu'il s'agit d'élaborer une herméneutique « instauratrice de sens » (Ricoeur, 1965) permettant de penser l'humain au-delà de sa matérialité.
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Rennes
Art and the Environment in Britain 1700-today
Whether one thinks of environment as context, setting, climate change, green spaces or sounds, today’s epistemology invites us to rethink man’s relation to the external world to the extent that the “inside” and “outside” coalesce, nature and culture merge, man and animal are reconfigured. How have British artists responded to these shifting perceptions of the world around them, of this great swirling circle of life and non life in which they found – or imagined – themselves diversely positioned, for a long time at the centre, then in a more undefined place – at the margin even? How has art itself positioned itself in this newly defined environment?
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