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• 18 fév 2018

  Berlin

  Thematische Schule - Geschichte

  Histoire audiovisuelle au XXe siècle : Corps, pratiques et émotions

  L’école de printemps « Histoire audiovisuelle au XXe siècle : Corps, pratiques et émotions » est une invitation à examiner de manière approfondie et sur une durée de cinq jours, la relation qui existe entre l’histoire du corps et sa politique d’une part, et le film et la télévision au XXe siècle d’autre part. C’est une perspective transnationale qui a été choisie ; elle prendra en compte l’Allemagne, la France et la Grande-Bretagne.

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• 19 fév 2018

  20 fév 2018

  21 fév 2018

  London

  Kolloquium - Geschichte

  Émission(s) de santé

  Corps, marchés et télévision, 1950-1980

  In the television age, health and the body have been broadcasted in many ways: in short health education films, school television, professional training materials, TV ads, documentaries, reality TV shows and news, as well as stand-alone videos distributed to specific audiences. This three-day conference proposes an exploration of how television formats have influenced and staged bodies, health and healthy practices from local, regional, national and international perspectives, and how these TV programmes spread the conviction that viewers could and should invest in their health and shape their own body.

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• 01 nov 2017

  London

  Beitragsaufruf - Vermittlung

  Broadcasting health and disease

  Bodies, markets and television, 1950s-1980s

  The three-day conference aims to investigate how television programmes in their multiplicity approached issues like medical progress and its limits, healthy behaviour or new forms of exercise by adapting them to TV formats and programming...The conference seeks to analyse how television and its evolving formats expressed and staged bodies, health and fitness from local, regional, national and international perspectives. How spectators were invited not only to be TV consuming audiences, but how shows and TV set-ups integrated and sometimes pretended to transform the viewer into a participant of the show. TV programmes spread the conviction that subjects had the ability to shape their own body.

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