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• 17 avr 2020

  Paris

  Call for papers - Representation

  Mediating Otherness: Encounters across Space and Time (16th to 19th centuries)

  Cette journée d'étude se donne pour but de considérer les stratégies mises en œuvre par la littérature de voyage entre les XVI^e et XIX^e siècles afin de représenter la figure de l'autre, qu'il s'agisse de stratégies textuelles ou visuelles. Tous les domaines linguistiques et culturels pourront être considérés afin de construire un tableau aussi large que possible de la manière dont l'autre est appréhendé par les récits des voyageurs à l'époque moderne.

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• 12 jui 2013

  13 jui 2013

  14 jui 2013

  Paris

  Conference, symposium - History

  Global Art History and the Peripheries

  Established in 2009, Artl@s is a project of a Spatial (Digital) history of arts and letters, providing scholars with the tools and support needed in order to expound their narratives and qualitative evidence with spatial representations and quantitative analyses. The Artl@s team organizes an international conference in partnership with the École normale supérieure, the Institut national d'histoire de l'art and the Terra Foundation for American Art, inviting researchers to gather and develop a removed and well-thought out approach to the question of the peripheries in art history.

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• 15 déc 2011

  Nanterre

  Call for papers - History

  Configuration(s)

  Colloque international organisé par le groupe RAO (Recherche assistée par ordinateur), au sein du CREA (EA370), Université Paris Ouest Nanterre La Défense, 8 et 9 juin 2012. Ce colloque a pour dessein de se pencher sur la contribution de l’informatique aux sciences humaines sous l’angle des configurations des divers éléments constitutifs de la recherche (objet, outil, production).

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• 30 jan 2007

  Ischia

  Call for papers - Science studies

  Visualising Nature

  Making Images and the Production of Biological Knowledge from Early Modern Natural History to Contemporary Life Sciences

  The 2007 summer school will explore the relationship between making and knowing in the biological sciences as mediated by visual culture from the Renaissance to the modern day. We intend to focus on three interrelated themes. One theme concerns craft practices and the development of visualising technologies. The second theme concerns the historical relation between theory and image in the formation of scientific arguments.Third, there are the cognitive claims about reality that are made through images.

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• 18 nov 2005

  Paris

  Conference, symposium - Modern

  The first big science, european geological maps

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