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Sinophone musical worlds and their publics
China Perspectives / Perspectives Chinoises
Recent success of Chinese reality television singing competitions broadcasted on national television or streamed directly on the internet, has shown the extent of musical genres represented in the Chinese world, from pop to folk via hip-hop or rock ’n’ roll. The popularity of new musical styles up to then considered as deviant as well as the recent attempts of the State to intervene directly on musical contents, tend to blur the distinctions between “mainstream” (流行) music, “popular” (民间) music as non-official, “underground” (地下) music or even “alternative” (另类) music. This call for papers aims at promoting a better understanding of the transformations of Chinese “musical worlds”, in the sense that Becker gave to “art worlds”, which stresses the role of cooperation and interactions between the different actors of the artistic sphere.
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Taipei
The Geopolitics of Film and Entertainment Industries Across the Taiwan Strait
Franco-Taiwanese Workshop
The Taipei office of the HK-based French Center for the Study of Contemporary China (CEFC, http://www.cefc.com.hk/rubrique.php?id=73) is inviting you to join a limited number of researchers in freely exchanging ideas about Cross-Taiwan Strait cinema and entertainment industries in a geopolitical perspective.
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