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  • Londres

    Appel à contribution - Histoire

    New approches to Ruskin on Art and Architecture

    En prévision du bicentenaire de la naissance de John Ruskin en 2019, ce colloque permettra de rassembler, de présenter et d'échanger de nouvelles approches de la part de jeunes chercheurs à propos du travail de John Ruskin, à la fois critique d'art, théoricien, historien d'art, artiste et commentateur du XIXe siècle avec une attention particulière sur son travail concernant l'art et l'architecture compris pour constituer le noyau central des engagements de Ruskin en terme de société et d'expérience.

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  • Rauischholzhausen

    Colloque - Histoire

    Reading History in Antiquity

    Audience-oriented perspectives on Classical Historiography

    Although the outcomes of reader-response criticism have repeatedly and meticulously been used in the analysis of other genres of classical literature (epic, tragedy, and oratory), the application of such a perspective still remains a significant desideratum in the field of classical historiography. The conference “Reading History in Antiquity: Audience-Oriented Perspectives on Classical Historiography” aspires to fill this gap.

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  • Berlin

    Colloque - Europe

    History and drama: The pan-European tradition

    DramaNet Conference V

    Rereading Aristotle, Dionysius of Halicarnassus, and Demetrius through the lens of contemporary narratology provides scholarship with a potentially fruitful perspective for investigating the relationship between historical narrative and other forms of literature. In particular, the reflections of Dionysius and Demetrius on narrative style at the micro-level, as well as those of Aristotle on history and tragedy as ways of representing knowledge at the macro-level, might enable historians and comparatists to focus on the question of how pan-European historical narratives are related to the drama of their times.

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  • Poitiers

    Appel à contribution - Moyen Âge

    Writers as Builders

    Alcuinus and the Carolingian Monumental Poetry – Medieval Ekphrasis, between East and West, Antiquity and Modernity

    The sessions would like to explore the formal connections between the poetic production of medieval writers and the works of art they describe, evoke or invent in these texts. The academic separations of visual studies from the textual ones have been erasing for many years the relationship existing between the two kinds of com-position. From the Vth to the end of the XIIth century, from Paulinus of Nola to Baudri of Bourgueil, a rich corpus of these texts has been composed by some of the most prestigious writers of their time and stages some of the richest works of art from medieval Europe: the wall paintings in St Gall abbey and Mainz cathedral, the Bayeux tapestry, the stained glasses in St Denis basilica…

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