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  • Beitragsaufruf - Darstellung

    Ambiguity: Conditions, Potentials, Limits

    “On_Culture” Issue 12 (Winter 2021)

    The 12th issue of On_Culture seeks to explore ambiguity in its potential and limits as an analytical tool for research in the study of culture. By the same token, the issue is also interested in perspectives on ambiguity as a cultural phenomenon in its historical situatedness and political dimensions.

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  • Beitragsaufruf - Darstellung

    Science and madness, extravagance, exception

    Alchemists, magicians, outlaw scientists in italian culture

    This volume aims at exploring the ways of science as excess and madness (see Zangrandi 2011, 2017; Garlaschelli and Carrer 2017) or, in less tragic forms, as an opportunity to explore new paths of knowledge. Another goal is to shed light on the character’s evolution, tracing the roots of a literary and cultural trope that, since the 20th century, takes on multiple configurations and plays manifold functions. Looking back to the past, this theme can be traced in the Romanticism’s rejection of the exact science and in the particular declination proposed by Leopardi in his Operette morali, or even in the disquieting image of the alchemist of the Renaissance, whose superior knowledge of natural phenomena turns into the extreme and a punishable hybris.

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  • Genua

    Beitragsaufruf - Geschichte

    Contending Representations: Questioning Republicanism in Early Modern Genoa (1559-1684)

    In the past thirty years, several studies have been devoted to the political and cultural flowering of the republic of Genoa during the so-called ‘siglo de los Genoveses’, between 1528 and 1630, when Genoa became the hub of European trade and an important epicenter of artistic and literary production. Yet little attention has been granted to the cultural and economic crisis that followed or to how Genoese republican state power was represented during the long seventeenth century, especially in relation to neighbouring polities. To address this gap, the conference will explore how the Genoese Republic shaped its political image between 1559 – the year of the publication of Oberto Foglietta’s Delle cose della repubblica di Genova – and 1684, when Genoa was bombed by the French. We intend to address questions such as how did Genoese politicians and men of letters represent their homeland? How was Genoa represented by the Genoese community in Spain or in the Low Countries? How was its political system conceived by other Italian and non-Italian political writers? And how did prevailing depictions of absolutism influence republican rhetoric?

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  • Luxemburg

    Beitragsaufruf - Geistesgeschichte

    Maxim Kantor – The Future of Humanity

    The goal of this international conference is to explore Kantor’s artistic work, his painting and writing, as a contribution he makes for the future of humanity. Kantor has been known as a Russian dissident and a fierce critic of the political development in the former Soviet Union, and his view of the current social, political, and spiritual situation of Europe is no less sharp. The scientific committee considers a strong analysis or a close reading of Kantor’s works as a major criterium in selecting the papers. As many writings are available only in Russian, the scientific committee strongly encourages scholars who are fluent in Russian to submit proposals that could make these texts available to a larger public.

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  • Neumarkt

    Beitragsaufruf - Geschichte

    ReThinking Europe in Scandinavia and the Baltic Sea Region

    The 11th annual international conference on Nordic and Baltic Studies

    Brexit has just happened and its consequences are not yet fully comprehended. Would the outcome be a return to a status quo ante the Brentry of 1 January 1973 in British-EU relations? Would Britain become a sort of bigger Norway tightly connected to the EU, but yet not fully a member of the united organization? Would Britain really continue to exist as such? Would Scotland, not to mention other territories, emulate London and decide on their own Brexit, this time from the United Kingdom, in order to rejoin the EU? Would actually Brexit become a pathway for other skeptical EU nations? Would Brexit rocket exclusive forms of nationalisms? Would the whole of united Europe collapse, on the long run, as a result of Brexit as the League of Nations had become toothless after the US Senate had vetoed the Pact of League of Nations? But what effect is going to have Brexit on Scandinavian countries which historically have been closely connected to Britain? How is it reflected in Scandinavian intellectual milieus, in mass-media, in public discourses? What about the Baltic states which received a strong support from Britain in key moments of their history, for instance when Royal Navy came at the rescue of Estonian and Latvian independence following World War I or in the process of re-enactment of Baltic sovereignty after the collapse of the Soviet Union? […]

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  • Luxemburg

    Beitragsaufruf - Sprachwissenschaften

    Les études littéraires cognitives. Théories, méthodologie et défis

    Considérant l’éclectisme qui caractérise les approches cognitives en littérature comme une chance et une richesse, nous invitons les littéraires et les chercheurs de toutes les branches des sciences cognitives préoccupés par ce domaine à réfléchir ensemble sur le statut, les théories, les méthodologies et les défis auxquels les études littéraires cognitives sont confrontées à l’époque contemporaine.

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  • London

    Beitragsaufruf - Mittelalter

    The Classics in the Pulpit. Ancient Literature and Preaching in the Middle Ages

    The aim of the conference is to shed new light on this both striking and irritating practice. Papers (25 min) can deal with topics such as the reasons and occasions for the use of the classics in preaching, the hermeneutic and literary strategies applied in order to adapt pagan mythology to homiletic needs, the social and educational background of preachers and their audiences, the connections of classicizing sermons with other fields of literature such as vernacular poetry, or the discourse they provoked within the clerical milieu. Applications from all relevant disciplines (e.g. history, literature, theology, philosophy) are welcome.

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  • Beitragsaufruf - Geistesgeschichte

    Violence in Plato’s philosophy

    Philosophical Journal of Conflict and Violence (Special Issue)

    The Philosophical Journal of Conflict and Violence (PJCV) is seeking articles dealing with philosophical issues that arise in connection with the conception of conflict and violence within Plato’s philosophy. Conflict and violence are often regarded as two of Plato’s main interests in his political thought, especially when he discusses the dread and danger they bring to the city. However, is it possible to understand conflict and violence in Plato’s work only from this political and rather pejorative standpoint? It is possible to see conflict and violence in Plato’s philosophy as something else, rather than a threat to the harmony of the community?

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  • Paris

    Beitragsaufruf - Sprachwissenschaften

    L’éloge du féminin en poésie : penser l’exaltation rhétorique

    L’éloge se définit comme un discours épidictique né d’une vigoureuse admiration, impliquant une instance énonciative, productrice d’un discours évaluatif saturé d’amplification et de valorisation. L’éloquence de l’acte célébratif, éminemment rhétorique, établit ainsi la singularisation et l’élévation d’un objet, produisant un jugement mélioratif de l’objet visé. Omniprésent dans la poésie amoureuse et érotique (les odes et fragments saphiques, le cantique des cantiques biblique, la tradition du ghazal dans la poésie courtoise arabe et perse, les Amours et Odes ronsardiennes, L’union libre d’André Breton, l’hommage à la Femme noire de Léopold Sédar Senghor, The lesbian body de Monique Wittig se lisent comme autant de variantes encomiastiques), l’éloge a traditionnellement servi à chanter le féminin—geste qu’il s’agira d’interroger, tant sur le plan philosophique, énonciatif, rhétorique, genré qu'épistemologique.

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  • Ouro Preto

    Beitragsaufruf - Geistesgeschichte

    Figurations and Interlocutions: The Feminine Question in Walter Benjamin’s Oeuvre

    Artefilosofia Journal

    Even though he was a philosopher, not a poet, Walter Benjamin (1892-1940) thought poetically, says Hannah Arendt about his friend and life-long correspondent. In his oeuvre, the feminine appears through recurrent images whose meaning may vary according to the context, in different figurations and fictions. In agreement with these fictional figurations, one of his first essays presents the question of what a feminine culture or a feminine language would be (Metaphysik der Jugend, GS, II, I, 1977).

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  • Paris

    Kolloquium - Darstellung

    Contemporary American Fiction in the Face of Technical Innovation

    Cette conférence se propose d'interroger les relations de la fiction américaine aux innovations qui ont marqué les premières décennies du XXIe siècle : internet, médias sociaux, objets et environnements intelligents, intelligence artificielle, nanotechnologies, ingénierie génétique et autres biotechnologies, transhumanisme. Ces innovations techniques redéfinissent la manière dont nous habitons notre monde, interagissons les uns avec les autres et appréhendons l'humain dans son rapport de plus en plus étroit à la machine, non plus, comme autrefois, soigné ou réparé, mais désormais augmenté ou remplacé. Qu'en est-il alors de nos pratiques artistiques et culturelles ? Ces avancées récentes modifient-ils la langue et la littérature ?

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  • Löwen

    Beitragsaufruf - Neuere und Zeitgeschichte

    Crisis

    7th biennial conference of the European Network for Avant-Garde and Modernism Studies (EAM 2020)

    Notions of crisis have long charged the study of the European avant-garde and modernism. Throughout their history, avant-gardists and modernists have faced crises, be they economic or political, scientific or technological, aesthetic or philosophical, collective or individual, local or global, short or perennial. Modernists and avant-gardists have in turn continually stood accused of instigating crises, whether artistic or cultural, sensorial or conceptual, incidental or intentional, far-reaching or negligible, representational or other. The very concepts of ‘avant-garde’ and ‘modernism’ are time and again subject—or subjected—to conceptual crises, leaving modernism and avant-garde studies as a field on the perpetual brink of a self-effacing theoretical crisis. The 7th biennial conference of the EAM intends to tackle the ways in which the avant-garde and modernism in Europe relate to crisi/es.

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  • Chicago

    Beitragsaufruf - Neuere und Zeitgeschichte

    European and global responses to the concept of “literary engagement” between 1945 and 1968

    ACLA 2020 panel

    The question of “engagement” (or commitment) became one of the defining elements of post-WWII literature and was, for a long period, at the center of the discussions about the relationship between aesthetics and politics in several European countries. Commonly associated with the name of Jean-Paul Sartre, the success of the notion of “committed literature,” however, went well beyond the French national space. This panel focuses on the transnational circulation of the concept of “committed literature” and, more broadly, on the circulation of related notions, such as writers’ “responsibility,” as well as on any type of counter-discourse or counter-theory targeting “committed literature.”  We would like to explore the different degrees of transnational propagation and dissemination of these debates both in regions that absorbed the intellectual debates taking place in France and in the case of countries which remained more impermeable to them. 

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  • Cambridge

    Kolloquium - Geistesgeschichte

    Reassessing Bergson

    The thought of Henri Bergson (1859-1941), one of the most influential theorists of time of the twentieth century, has primarily been confined to the so-called “continental” tradition of philosophy. In the past few years this has started to change; his work has begun to receive ingenious reassessment from philosophers outside the field of “continental” philosophy in general and within analytic philosophy in particular. The aim of this conference is to capture this moment and use it to provide new perspectives on Bergsonian philosophy, expanding and reassessing Bergson’s legacy and producing a major permutation in the philosophy of time.

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  • Kolloquium - Darstellung

    Héritages d'Ursula Le Guin : Science, fiction et éthique pour l'Anthropocène

    Planetary ethics and aesthetics, interspecies communities, post-gender and anarchist societies, indigenous knowledge, vegetal sentience... The paths Ursula K. Le Guin has opened for our imagination to travel are numerous, subtle itineraries through which we might find ways to better inhabit the 21st century. The international bilingual conference “Le Guin's Legacies” will engage with her work from a multiplicity of perspectives, tracing its literary, ecological, philosophical, socio-economical and anthropological ramifications: its potential for re-engineering the world we live in.

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  • Oxford

    Beitragsaufruf - Mittelalter

    Women and violence in the Late Medieval Mediterranean, ca. 1100-1500

    A two-days conference in Oxford exploring the assumptions linking violence and femininity in the late medieval mediterranean (Byzantium, Western Europe, Islamic world).

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  • Kuwait-Stadt

    Beitragsaufruf - Geistesgeschichte

    La culture pop dans la Péninsule arabique

    Arabian Humanities n° 14 (Printemps 2020)

    La production en sciences sociales sur la culture pop dans la Péninsule arabique est particulièrement limitée. Si une littérature importante se consacre à l’analyse des cultures orales et de la poésie vernaculaire, rares sont encore les études des nouveaux media dans la Péninsule Arabique, des cassettes audio aux applis en passant par la production télévisée et YouTube. Ce numéro d’Arabian Humanities veut combler ce vide et analyser la culture pop en Arabie Saoudite, au Yémen, en Oman, aux Émirats Arabes Unis, au Qatar, à Bahreïn et au Koweït.

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  • Portsmouth

    Sonstige Angaben - Darstellung

    Magic, exits/endings and water: How does performance escape?

    In this day-long event at the University of Portsmouth, the Theatre, Performance and Philosophy Working Group and the Applied and Social Theatre Working Group come together to interrogate how an exit from today’s crisis of reality might be envisioned and conjured through performance.  

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  • Brüssel

    Beitragsaufruf - Ethnologie, Anthropologie

    Home Away From Home

    Seminar HOME II

    Après avoir exploré la relation du sujet aux lieux d’origine dans les narrations contemporaines au cours d’un premier cycle de conférences Home: Heaven and Hell, HOME pousse cette fois l’enquête du côté de la reconstruction d’un imaginaire domestique. Quel est ce nouveau foyer qui suit l’errance, l’exil ou la migration ? Portant cette fois le titre Home Away From Home, ce deuxième cycle de séminaires souhaite interroger les représentations littéraires et artistiques contemporaines des espaces adoptés afin de comprendre comment ceux-ci se construisent en interaction avec un sujet qui voit aboutir sa quête d’un territoire.

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  • Coimbra

    Beitragsaufruf - Mittelalter

    Making Sense of Latin Classics in the Middle Ages

    12th Celtic Conference in Classics (panel 11)

    The aim of this panel is to explore how medieval authors have dealt with the Classical heritage within their own cultural context. This enquiry could illustrate different degrees of exploitation of classical texts: from systematic excerption to scattered quotations naturalized in different frameworks, from the reshaping of biographies, political and philosophical treatises to the reuse of poetical patterns in order to convey new values. Making sense always implies a multiple perspective. The goal of this panel is to encourage the interaction between different points of view – historical, philological, literary, philosophical, scientific – in order to get a better understanding of the cultural background through which the Classics had to pass before reaching us.

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