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New horizons. How to renew the humanities (HFC-HOR 2020)
How does philological practice change in the digital age? How can the potential of information technology be applied to the study of literary texts? What is the role played by large text databases in literary criticism and how can they be effectively interrogated?
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Miscellaneous information - Language
Create your own Summer School in Italian Studies
L'Associazione Internazionale dei Professori d’Italiano (AIPI) indìce un bando per offrire ai dottorandi e post-dottorandi in italianistica la possibilità di organizzare una “Summer School”.
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e-Scripta Romanica journal – Varia section
Richiesta di contributi per il numero 7 di e- Scripta Romanica, rivista scientifica internazionale dell’Università di Lodz - Polonia.
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Milan
First Biennial International Conference on Eugenio Montale
First Biennial International Conference on Eugenio Montale
Winner of the Nobel Prize for Literature in 1975, Eugenio Montale (1896-1981) spent thirty-three years of his life in Milan (more than a third of his entire existence), from 1948, when at the age of fifty-two he was taken on by “Corriere della Sera”, until his death in a Milanese hospital at the age of eighty-five. During this protracted residency in Milan, Montale published all his major poetic collections except Ossi di seppia and Le occasioni.
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Venice
Conference, symposium - Psyche
The religious experience of the ‘disease of the soul’ and its definitions in the early modern period: censorship, dissent and self-representation
Il tema della malinconia, nelle sue diverse declinazioni storico-artistiche, mediche, letterarie, filosofiche, psicologiche costituisce l’oggetto di una vasta letteratura. Del resto, lo stesso termine “malinconia” è un termine polisemico, associato storicamente a una grande varietà di gruppi di significati non sempre assimilabili tra loro. Il seminario intende approfondire le diverse valenze semantiche del termine “malinconia” in ambito religioso in età moderna, sia in campo protestante sia in campo cattolico.
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