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Convocatoria de ponencias - Sociología
Violence et crise environnementale
Violence: An international journal
Violence: An international journal lance un appel à contributions sur le thème « Violence et crise environnementale ». Peut-on parler de violence lorsque l'on évoque le déclin de la biodiversité, la destruction de réserves naturelles telles que l'Amazonie ou la Grande Barrière de corail, ou le déversement illégal de déchets poluants ? Dans quelle mesure la chaîne de la violence est-elle liée à la crise environnementale ? Et quels sont les auteurs et les victimes d'une telle violence ? De quelle manière parler de cette violence et de quelle façon peut-elle être légitimée ou condamnée ? Tout cela soulève des questions théoriques, normatives, linguistiques et empiriques qui seront abordées dans ce dossier thématique.
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Portsmouth
Informaciónes varias - Representaciones
Magic, exits/endings and water: How does performance escape?
In this day-long event at the University of Portsmouth, the Theatre, Performance and Philosophy Working Group and the Applied and Social Theatre Working Group come together to interrogate how an exit from today’s crisis of reality might be envisioned and conjured through performance.
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Londres
Stages of Utopia and Dissent, 50 years on...
15 May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?
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East London
Convocatoria de ponencias - Representaciones
50 years on…
15th May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?
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