Calenda

Rennes

Mutations, Conversions and Representations

The chosen perspective for this one-day conference is an inter- and pluri-disciplinary one and it is therefore articulated around a variety of approaches such as cultural geography, cultural history, art history, media studies, urban studies, heritage studies, architecture, etc.

Nantes

Convocatoria de ponencias - Representaciones

Censorship: Creative contemporary constraints and dynamics in the representation of the British and American nations

This 2016 workshop on contemporary US-UK photography will take on the notion of censorship. With photography as its starting point, this edition aims to extend the debate to include the contemporary image on the whole. It is interested in the intermedial forays of other artistic forms in the practice of photographers (art installations, video and/or audio productions, performance, urban art practices, text/image interactions). How does the very artistic form/medium become in itself a means of expression and commitment when confronted with censorship, a means to create unity against censorship, a tool for identity expression of a group or of a minority, to circumvent constraints, or thrive upon these limits and generate creative impetus from them?

Nantes

Convocatoria de ponencias - Época contemporánea

Representations of Power and Power of the Image in British and American Contemporary Photography

Représentations du pouvoir et pouvoir de l’image dans la photographie contemporaine américaine et britannique

From the power of images to images of power, this workshop will explore the representations of power and the power of representation in contemporary American and British photography. What is photography capable of doing? Whether in the form of a public person, the environment of power (emblematic places and explicit or underlying forms) or its symbolism, what is photography capable of revealing about power itself? Political, institutional, economic or social power all depend upon a system of relations or tensions between groups or individuals (accepted, rejected, questioned, expressed visually or internalized) participating in the construction of the identity, myths or memories of the American or British nations. In what manner does photography enhance or contribute to this construction or deconstruction of the notion of identity and nation?

París

Coloquio - Época moderna

How do we globalize the long eighteenth century?

Quelle globalisation pour le long XVIIIe siècle ?

Every student of the 17th or 18th century encounters in his or her own way the global historical dimensions of the more or less ‘domestic’ (provincial, national) subject being addressed. For decades, perhaps, many of us ignored these ramifications, which among other things were hard to treat because we are generally hardpressed to bring to such subjects the kind of specialized knowledge we are used to. (There are of course exceptions, involving colleagues who consciously adopt a global approach, e.g. Atlantic studies, though even these are no doubt truncated in different ways.) In all, the global was not an ‘aporia’ of our studies, so much as something more or less difficult to draw into the discussion and, in that sense, an ‘impensé’.

Convocatoria de ponencias - Representaciones

The American and British Nations in Contemporary Landscape Photography

This second workshop in a series devoted to photography and national identity will question the way in which landscape as represented through the specificities of the photographic medium may participate in the construction of contemporary American and British national identities.

Londres

Beca, premio y empleo - Representaciones

Visiting Professorships at the Courtauld Institute of Art, London, 2013-2015

Sponsored by the Terra Foundation for American Art

Visiting Professorships at the Courtauld Institute of Art, London, 2013-2015 The deadline for all professorship applications is January 15, 2013. Two professorships are available at the Courtauld Institute to present the best recent scholarship on historical American art. A twelve-week professorship requires administering one full-term course integrated with the institute’s curriculum and participating in other scholarly activities. A one-week intensive professorship entails a public scholarly event, a seminar, and a special visit to a London gallery, archive, collection, or library relevant to American art history. Stipends are determined by seniority of the scholars. For more information, please visit courtauld.ac.uk.

Londres

Beca, premio y empleo - Representaciones

Postdoctoral Teaching Fellowship at the Courtauld Institute of Art, London, 2013-2015

Sponsored by the Terra Foundation for American Art

Postdoctoral Teaching Fellowship at the Courtauld Institute of Art, London, 2013-2015 The deadline for all fellowship applications is January 15, 2013. This two-year postdoctoral fellowship supports advanced inquiry in the history of American art, conservation, and museum studies and is integrated with the postdoctoral fellowship program of the Courtauld Institute of Art Research Forum. The selected fellow teaches three historical American art courses, participates in scholarly activities organized by the institute, and organizes an international scholarly event. Fellow receives a $134,564 stipend (over two years). For more information, please visit courtauld.ac.uk.

Convocatoria de ponencias - Representaciones

Recueil d'essais sur le Professor Challenger de Conan Doyle

Habitually characterised as a late-appearing variant upon the Victorian Quest Romance, The Lost World in fact marked the beginning of Arthur Conan Doyle’s prolonged investigation of science, ideology and belief under the inhibiting constraints of early twentieth-century modernity. The narratives span from 1912 to 1929 and this new collection will be dedicated to re-evaluating the narratives, their author, the wider culture that he inhabited and the legacy of his work for the twentieth and twenty-first centuries. We are interested in work that treats the texts either directly or tangentially through other aspects of Conan Doyle’s life and thought.

Dijon

Convocatoria de ponencias - Representaciones

Auto-portraits irlandais : je/ux de miroirs

Si l’Irlande peut se targuer de posséder une collection nationale d’autoportraits, l’art de l’autoportrait en littérature et dans les arts visuels reste encore largement inexploré. Certes, la pratique de l’autoportrait marque une tentative de plonger au fond de soi-même mais la représentation qui en découle n’est ni simple ni directe. Les artistes mettent en scène leur propre identité et leur propre personnage, se jouant de la célébrité et de leur rayonnement d’artiste, montrant de l’irrespect ou du mépris pour toute forme de canon ou d’usage. Le miroir dans lequel l’artiste se contemple est ainsi souvent un miroir courbe. L’objet de cette conférence, organisée par le Centre Interlangues TIL de l’université de Bourgogne, est d’analyser les diverses stratégies à l’œuvre dans l’art de l’autoportrait.

Pessac

Coloquio - Representaciones

Les narrateurs fous

Appel à communications pour un colloque international sur le thème : « Les narrateurs fous / Mad narrators », à l'Université de Bordeaux 3, les 18-20 octobre 2012.

París

Convocatoria de ponencias - Época contemporánea

Le paysage comme lieu de transfert des pratiques artistiques entre l’Irlande, l’Irlande du Nord et la Grande-Bretagne

De 1968 à nos jours

Le paysage serait-il au cœur des échanges entre les artistes intéressés par la représentation de l’Irlande et le Royaume-Uni au-delà de la période 1968-1998 ? Comment les artistes, les galeristes, les institutions et les œuvres d’art contemporaines s’approprient et interrogent-ils la représentation du paysage au Royaume-Uni et en Irlande ?

París

Convocatoria de ponencias - Representaciones

Échos des sociétés géorgiennes et victoriennes dans les arts contemporains britanniques

Journée d’étude de l’association One Piece at a A Time (GEIAB) en partenariat avec l’université Paris-Diderot

La deuxième journée d'étude de l'association One Piece at A Time sur les arts britanniques est réalisée en partenariat avec l'université Paris-Diderot et aura lieu le 5 juin 2010. Elle sera consacrée aux échos des sociétés géorgiennes et victoriennes dans les arts contemporains britanniques. Comment se manifestent ses résurgences et que disent-elles du moment postmoderne dans lequel elles s'inscrivent ? Comment les différentes disciplines, d'histoire de l'art, de littérature et de civilisations anglophones ou encore d'esthétique ou d'histoire répondent ces cette problématique commune ?

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