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Pittsburgh
Call for papers - Early modern
The Presence of Women Editors in the Press Industry (1850-1950)
This panel is part of the 49th annual Northeast modern language association (NeMLA) convention which will take place in Pittsburgh, Pennsylvania from the 12th until the 15th of April 2018. We wish to examine the active participation of women in the public dialogue through the prism of their periodical publications. By looking into their practices of textual transfer, their editorial strategies and the transnational networks that they established, this panel sheds light on the content, structure, and functions of the periodical press in the long 19th century. Scholars are encouraged to explore the ways in which women’s journals shaped socio-cultural transitions by conducting comparative research across nations, cultures, and historical periods.
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Oxford
Call for papers - Early modern
Printing and misprinting: Typographical mistakes and publishers’ corrections (1450-1600)
This one-day symposium – opening with a keynote lecture by Anthony Grafton (Princeton) – aims to explore the notions of typos and manuscript or stop-press emendations in early modern print shops. Building on Grafton’s seminal work, scholars are invited to present new evidence on what we can learn from misprints in relation to publishers’ practices, printing and pre-publication procedures, and editorial strategies between 1450 and 1600.
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Call for papers - Early modern
Victorians like us – Domesticity and worldliness
Issue of “Open Cultural Studies”
From novels to government reports, the Victorians attached unprecedented significance to domesticity. The household was a central institution, and their occupants played out their different roles according to custom and circumstance. Within its sphere, gender, class, economic and political conflicts were played out as the household provided the background for important social practices. These practices ranged from the kitchen to the parlour, from the street to the Houses of Parliament, from the colonial metropole to the British colonial outposts in Africa, Asia, Australia and the Pacific.
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Liège
Call for papers - Early modern
Exploring repetition in popular music
Over and Over: Exploring repetition in popular music aims at identifying and studying the recent aesthetic and analytical developments of musical repetition. From the 32-bar forms of Tin Pan Alley, through the cyclic forms of modal jazz, to the more recent accumulation of digital layers, beats, and breaks in Electronic Dance Music (EDM), repetition as both an aesthetic disposition or formal musicological property stimulated a diversity of genres and techniques. After decades of riffs, loops, vamps, reiterated rhythmic patterns, as well as pervasive harmonic formulae and recurring structural units in standardized song forms, the time has come to give these notions the place they deserve in the study of popular music.
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Berlin
Call for papers - Early modern
Images of the courtier in Northern European art, 1500-1700
This panel will address the image of the courtier in the art and architecture of northern European court societies – Germanic countries, Flanders, United Provinces, France and England. While the subject has been widely studied in Italian art history, notably around the key figure of Baldassare Castiglione, it has been less investigated in the study of Northern European art of the Early modern period. The figure of the courtier inspired rich and often contrasting interpretations in Northern European court societies. While perpetuating traditional court culture in France and Flanders, the courtier in England and the Germanic countries embraced emerging social paradigms of the Protestant reform. In societies lacking an official court such as the United-Provinces, the figure of the courtier was largely redefined. Discussions will focus on symbolic forms of the courtier in the visual arts as well as in other disciplines to which the notion of decorum is central such as architecture and the decorative arts.
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Paris
Call for papers - Early modern
Art and Sociability in the Eighteenth-Century, 1715-1815
Au XVIIIe siècle, la sphère publique émergente, composée de lieux comme les académies, les salons littéraires ou bien les loges maçonniques, a constitué la scène sur laquelle s'est jouée la sociabilité. La publication de Thomas Crow, Painters and Public Life in Eighteenth-Century Paris, a incité les historiens de l’art à comprendre le rôle des artistes dans la sphère publique. Ce colloque a pour but d’analyser la sociabilité dans le monde artistique du XVIIIe siècle à travers le prisme des pratiques sociales. Le colloque aura lieu à l’I. N. H. A., à Paris, les 23-24-25 juin 2011 et sera ouvert aux différentes disciplines issues des sciences humaines : histoire de l’art, histoire, anthropologie, philosophie, littérature et sociologie puisqu’il s’agit de confronter les différentes approches de ces disciplines pour traiter notre sujet et explorer les relations qu’elles entretiennent les unes avec les autres. -
Geneva
Conference, symposium - Representation
The Restoration of Artworks in Europe from 1789 to 1815
Practices, Transfers, Issues
Ce colloque souhaite faire le point sur une période charnière de l’histoire de la restauration des œuvres d’art en Europe, qui s’étend de la Révolution française à la chute de l’Empire napoléonien. Les communications mettent l’accent sur les échanges, les transferts et la circulation des œuvres, des praticiens et des savoirs à cette période. Sont réunis à l’échelle internationale des professionnels de la conservation-restauration, des historiens de l’art et des experts du monde des musées, tout comme de jeunes chercheurs, valorisant ainsi la diversité des approches et des compétences.
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