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• 18 mar 2019

  Paris

  Beitragsaufruf - Geistesgeschichte

  Crossroads of Critique: Axel Honneth and the Frankfurt School Project

  Sciences Po 7th Graduate Conference in Political Theory

  We are happy to announce that the seventh annual Graduate Conference in Political Theory is going to be held in Paris on June 6-8, 2019, entitled Crossroads of Critique: Axel Honneth and the Frankfurt School Project. We welcome contributions from graduate students of political theory across the board and intend to accommodate various approaches (analytical, historical, normative, and critical) as well as contributions from related disciplines (philosophy, social theory, etc.). We also aim at geographic diversity, in that we shall try to foster a substantial academic dialogue between young political theorists from Europe and their peers across the world. Over recent years, the Sciences Po Graduate Conference has established itself as one of Europe’s foremost venues for an international exchange of ideas among graduate students in political theory.

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• 15 sep 2017

  Paris

  Beitragsaufruf - Sprachwissenschaften

  Sprachwissenschaftliche und philologische Wissenstransfers zwischen Deutschland und dem Ausland (16.-20. Jhdt)

  By all measures, Germany played an overwhelming role in the development of philology and linguistics during the 19th century. This ascendancy rests on the transmission to other national academies of theoretical constructs and views, methods and institutional practices. On the other hand, German philological and linguistic ideas, methods and institutions were not constituted in isolation from the rest of the world : Transfers to the German-speaking world must also be taken into account.

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• 19 mai 2016

  20 mai 2016

  Kolloquium - Geschichte

  Rethinking pictures

  A transatlantic dialogue

  On the occasion of the launch of Picturing, the first volume of the Terra Foundation Essays, a new publication series exploring themes of critical importance to the history of arts and visual culture of the United States, the Deutsches Forum für Kunstgeschichte, Paris, and the Terra Foundation for American Art are jointly organizing a conference to further the transatlantic dialogue about what pictures are and what they do. This conference invites speakers to reflect on the differences and convergences between the intellectual traditions of visual studies and Bildwissenschaft. Are there ways to think about pictures anew by bringing these models more closely together?  Does the move away from visuality towards the material offer possibilities for overcoming early differences between these two approaches?

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